The Gospel According to St. Matthew

The Gospel According to St. Matthew, a 1964 Italian film, is a highly acclaimed biblical rendition that has stood apart as an honest and humanistic interpretation of the life, teachings, and ultimate crucifixion of Jesus Christ. Directed by the enigmatic Pier Paolo Pasolini, the film unites the realms of fervent faith and cinematic art. Instead of using professional actors, Pasolini cast non-actors, including Enrique Irazoqui as Jesus, Margherita Caruso as young Mary, and Susanna Pasolini, Pasolini's own mother, as the older Mary.

The film, which holds Matthew's account of Jesus's life as its source, stands out as strikingly realistic, putting human motives and earthly existence at the forefront. Pasolini, who was more renowned for his political aesthetics, depicted an authentic and sensitive portrayal of one of the most influential figures in human history in a way that is profoundly distinctive from other portrayals of Jesus' life.

The movie begins with the enunciation to Mary, where a child will be born as the Savior. Margherita Caruso, who portrays young Mary, brings a sense of serenity and transcendent purity to her character. The narrative continues through Christ's birth and heads into his early childhood and adolescence, culminating in the baptism scene — a pivotal turning point that launches Jesus into his public ministry.

Enrique Irazoqui makes a memorable impression as Jesus Christ. His performance is characterized by sincerity and intensity, bringing out a Jesus who is both forthright and spiritual. The character of Jesus portrayed here is unique, displaying not only divine qualities but also a distinct humaneness and approachability. Every miracle, sermon, and prophecy becomes an enriching experience under Irazoqui's open and earnest portrayal.

Susanna Pasolini also offers an exceptional performance as the older Mary. She perfectly displays a mother's anguish at watching her son struggle against an unjust society. The intimate bond between Mary and Jesus, and her suffering and acceptance of his destiny, is fleshed out hearteningly in Pasolini's creation.

Setting plays an essential role as the narrative unfolds in the rural landscapes of Southern Italy. Pasolini's decision to film in black and white bestowed upon the film an observational documentary style that gives audiences the sense of bearing witness to historical events. This symbolic minimalism is a significant factor that contributes to the film's spiritual portraiture. However, it is not devoid of Pasolini's signature tendency for unusual camera angles and close-ups, as these cinematic components add depth to the narrative.

The Gospel According to St. Matthew stays true to the prosaic simplicity of its narrative. The film refrains from augmenting the elements of miracles or the crucifixion with high-flown visual effects, as is often done in many biblical movies. Rather, it underscores the raw humanity embedded within them.

The use of music is another highlight of the film. Instead of a traditional orchestral score, Pasolini chose from a wide array of music, including American spirituals, Bach’s "St. Matthew Passion," and African Missa Luba. This eclectic mix of sounds adds a rich dimensionality to the scenes, whether they be of teaching, contemplation, fear or love.

Beyond a simple retelling of the religious legend, Pasolini's The Gospel According to St. Matthew unfolds a nuanced critique of institutionalized religion, and highlights the revolutionary message of Christ's teachings emphasizing love, tolerance and forgiveness. It presents a Christ who is deeply concerned about the social conditions of the people and the existing class disparities. Pasolini weaves a rough hewn, yet deeply affecting tapestry of Christ's paradoxically divine and human journey.

Captivating and unconventional, The Gospel According to St. Matthew is a blend of authentic faith and compelling storytelling. It goes beyond religious strictures, presenting the audience with a universal and deeply human narrative of sacrifice and divine love. The film is widely considered a masterpiece of Italian Neorealism and is often hailed as one of the greatest biblical films ever made.

In viewing this film, one does not merely watch the life of Christ but experiences the journey alongside the characters, living through the joys, the teachings, the miracles, and the final moments of what is arguably one of history's most impactful lives. No matter one's faith, this film offers an enriching and thought-provoking exploration of spirituality and humanity.