The Happy Ending

The Happy Ending, a 1969 American drama film which beautifully encapsulates the struggles of a suburban housewife, is directed and penned by the stalwart Richard Brooks. This extraordinary piece of cinematography features a stellar cast including renowned actors like Jean Simmons, John Forsythe, and Shirley Jones.

Set in the time when the women's liberation movement was starting to gain momentum, the film expertly presents the portrait of a woman pulled in all directions by societal norms and her own desire for freedom. The central character around which the storyline revolves is Mary Wilson, exquisitely portrayed by Jean Simmons. Mary is a disoriented housewife, lost in the rut of mundane chores and societal obligations. All throughout the film, she grapples with her identity as her life begins to stagnate and hanker for a novel experience.

John Forsythe heavily adds to the narrative with his impeccable portrayal of Fred Wilson, Mary’s absent and workaholic husband. The film takes a complex and hard look at an ideal American suburban family through the lens of reality as Fred becomes increasingly distant due to his professional life and leaves Mary sulking on the domestic front. The acceptance of this distancing by Mary reflects the passive acquiescence that was so emblematic of women in her era.

Shirley Jones plays the role of Flo Barrett, presenting power-packed scenes full of raw emotions. She serves as a contrasting character to highlight the suppressed desire within Mary to break free from the bindings of a stereotyped societal role. Jones’ character stands tall as she breaks free from the shackles of traditional society and strides towards a life of independence. This only accentuates Mary's struggle and dissatisfaction with her life's current course.

Adding hue to the premise and plot of the movie, Brooks expertly walks the fine line between drama and reality. He skillfully presents the audience with the stark reality of a housewife's mundane life while not overdoing the melodrama. The narrative doesn't shy away from exploring alcoholism and mental health issues, which were quite underdiscussed during the time of the film's release.

One cannot merely appreciate the film for its deep and thought-provoking storyline but also remember its contributions to the cinematographic approaches of the era. Conrad L. Hall, the cinematographer of the movie, creates a visual symphony with his meticulously framed shots which took storytelling to an advanced level. He presents the gloominess of Mary's life juxtaposed against the vibrant backdrop of the suburban landscape. His cinematographic skills enhance the narrative, breathing life into the characters and the emotional turmoil they go through.

The film further scores on the musical front with music by Michel Legrand, a renowned musical maestro whose compositions have defined many a Hollywood classic. His score not only tranquilizes but also perfectly complements the narrative mood of the film. One can feel the despair of Mary, and yet the hope of a better tomorrow through Legrand’s musical genius.

The Happy Ending is a rare gem in the world of cinema that explores feminine dissatisfaction, suppressed desires, and unrest within the framework of what was perceived as a perfect suburban life. Simmons’ brilliant and heart-touching portrayal of a dissatisfied housewife yearning for a fulfilling life is relatable and leaves a lasting impact. The supporting cast of Forsythe and Jones perfectly aid in raising complex questions regarding womanhood and societal expectations through their characters.

Brooks's storytelling prowess accompanied by Hall's visionary cinematography and Legrand's whimsical music makes The Happy Ending an ageless classic that resonates with viewers even today. It is a critical examination of the societal norms of the 1960s and the feminism movement gaining ground during that era. The film beckons the viewers to question the very definition of a 'happy ending,' making it a must-watch for fans of poignant and thought-provoking cinema.