The Hireling

The Hireling is a compelling British drama film released in 1973, directed by Alan Bridges and based on the 1957 novel of the same name by LP Hartley. The movie centers on the lives of two individuals from starkly contrasting social backgrounds, whose paths cross in the most peculiar fashion which eventually profoundly shapes their lives. The screenplay is crafted by Wolf Mankowitz and manifests significant elements of character development, relationships, and sociocultural hierarchy.

The film stars the talented Robert Shaw, a known face in the British film industry, renowned for his performances in 'Jaws,' 'From Russia with Love,' and 'Battle of Britain.' In 'The Hireling,' Shaw plays the role of Steven Ledbetter, a solemn and dedicated chauffeur who has recently started his car hiring business in the early 20th century England. A man of simple means, he navigates through his life without much ambition until he crosses paths with Lady Franklin.

Sarah Miles, an Academy Award nominee known for her work in 'Ryan's Daughter' and 'Blowup,' portrays the character of Lady Franklin - a young widowed woman of high social standing. The character undergoes an emotional upheaval following her husband's abrupt death, rendering her almost incapacitated with grief and seclusion. Her struggle with melancholy provides a fascinating perspective of mental health discussions in a time where such subjects were quite the taboo.

Peter Egan lends support as Captain Hugh Cantrip, a charming gentleman with his interests hidden in plain sight. His role adds another layer to the movie, subtly driving the narrative forward. Part mystery, part unfulfilled anticipation, his character weaves its influence with tact and charm.

In the backdrop of 20-century England, the film expertly blends the elements of period drama and human struggle. Ledbetter, out of his fondness and sympathy for Lady Franklin, takes the initiative in helping her regain her lost vigour and reintroduce her to the society that she had been estranged from. While working closely, the lines between professional and personal start to blur and they find themselves entangled in a complex web of emotions that neither seem ready to acknowledge nor are they in the social capacity to.

The beauty of 'The Hireling' lies in its exploration of the duo's relationship dynamics, with the lens of class difference. A close encounter with love, ambition, and a yearning for acceptance paints a realistic picture of the societal norms of the era.

Director Alan Bridges presents a vivid depiction of the early 20th-century aristocracy's lifestyle. The mise-en-scène is established thoughtfully, complete with antique cars, grand estates, and vintage costumes that reflect the time's elegance and charm.

The film subtly addresses the class disparity of the early 20th-century society, the stigma attached to mental health, and the complexity of unrequited affection and personal insecurities. The director adds nuance to the narrative with a subdued critique of societal norms and contrasts it with a vision of changing times.

'The Hireling' is a well-crafted period drama that probes into the societal hierarchy and its implications on personal relationships. Paired with strong performances by Robert Shaw and Sarah Miles and a meticulously constructed Victorian-era setting, the film delivers a riveting cinematic experience. The movie becomes an exploration of the human psyche and relationships, tackling themes of social strata, love, and mental health.

Both Robert Shaw and Sarah Miles give exceptional performances, their chemistry and individual arcs are convincing, the pain and longing evident in their subtle gestures and concealed glances. Alan Bridges creates a nuanced narrative, with characters that are flawed and relatable. 'The Hireling' is a treat for viewers who appreciate well-rounded characters, superbly crafted narrative, and strong performances. It portrays raw human emotions in their purest forms, making it a must-watch for those who love getting lost in the world of classic cinema.