The Karma Killings

"The Karma Killings" is a compelling 2016 documentary film directed by Ram Devineni. It is an ambitious project that carefully threads the complex tapestry of crime, culture, mystery and societal norms into a provocative narrative, set against the backdrop of the iconic – but sometimes misunderstood - country of India.

The film centers on the heart-wrenching Nithari killings - a series of brutal and shocking murders (and alleged cases of cannibalism) that took place in Nithari, a small village on the fringes of Delhi, between 2005 and 2006. These gruesome crimes are hauntingly etched into India’s modern history, and "The Karma Killings" scrutinizes the details with a balanced perspective.

From the outset, this movie distinguishes itself by not having the usual linear storyline of crime documentaries. Instead, it presents multi-dimensional aspects that cover not just the chilling crime itself, but also the social context, the police investigation, the media coverage and the public outcry. It unearths the socio-political angles connected with the case, revealing the deep-rooted biases and prejudices in Indian society.

The central figures of the story are businessman Mohinder Singh Pandher and his domestic helper Surendra Koli; both were accused of killing children and young women. The case attracted wide media attention due to the gruesome nature of the crimes, the extended period over which they occurred, and the alleged involvement of a wealthy businessman – elements that “The Karma Killings” deeply explores.

The camera's eye in "The Karma Killings" skillfully balances the depiction of stark realities and elusive truths. It uses interviews, visuals and archival footage that uncover different layers to the case, leading viewers through the dark underbelly of contemporary Indian society.

The film also delves into the multifaceted realities and dynamics of Indian culture. Showing how the melding of modern development and traditional society can sometimes create disturbing outcomes. It's a cinematic revelation that takes you on a journey, exposing class divides, systemic corruption, media sensationalism and public hysteria - all contributing factors in the handling and perception of the case.

Importantly, this documentary doesn't just depict the crime - it also portrays the response, or lack thereof, to the crimes committed. It highlights the inefficiency and possible corruption present in the Indian justice system, which allowed the killings to happen over such an extended period without any intervention. It raises questions about the indifference of the police towards those missing because of their low socio-economic status.

Besides critiquing societal structures, "The Karma Killings" leaves viewers with many daunting questions about human nature and violence. It delves into the twisted minds of the accused, particularly Surendra Koli, exploring the potential mental illness at play and the possible motivations behind such horrific acts.

The documentary is also about tragedy, redemption and justice. It tells the untold story of the victims' families who were left to cope with the loss, navigate through their grief and fight for justice despite their limited means. It showcases their resilience and tenacity in drawing attention to their lost loved ones and ensuring the guilty are held accountable for their actions.

"The Karma Killings" is a sophisticated and provocatively nuanced film that carries audiences into a labyrinth of murder and mystery, circling around the enigmatic concept of good and evil. Though the narrative can be exceedingly complex, it remains impeccably comprehensible and well-executed, making sure the audience is engrossed from start to finish.

In summary, “The Karma Killings” is not just another crime documentary. It is a profound sociocultural examination that delves deep into the crux of India's dark side. It further unravels the complexities of the human mind and our societal structures. The film is a hauntingly poignant cinematic journey, inviting viewers not only to observe and learn but also to introspect and critically evaluate. It's a chilling reminder that, often, monsters are not born, but are product of society.