The Long Hair of Death

Intriguing, atmospheric, and rooted in the gothic tradition, The Long Hair of Death is an Italian horror film directed by Antonio Margheriti. Released in 1964, the film features a star-studded cast including the Queen of Gothic Horror, Barbara Steele, along with George Ardisson and Halina Zalewska. The film unfolds in a 15th-century setting, filled to the brim with suspense, supernatural occurrences, revenge, and mystery surrounding a centuries-old curse.

The film begins as the story of a woman named Adele Karnstein (Halina Zalewska), who is wrongfully accused of witchcraft and executed by being burned at the stake. With her dying breath, Adele puts a curse on her persecutor Count Humboldt (George Ardisson) and his descendants. This haunting first act of the movie sets the tone of unease, destruction, and retribution that pervade the narrative.

As the narrative progresses, the movie tracks the life of Adele's two daughters: Helen (also played by Halina Zalewska), and the younger, more vulnerable, Elizabeth (a role brilliantly played by Barbara Steele). The two sisters are thrown into the web of Count Humboldt's twisted wrongdoings, creating a complex dynamic that captivates the viewers as the curse begins to unravel.

The divisive nature of the Count and his sordid history with the Karnstein family unveils in phases, gradually, creating an electrifying suspense throughout the movie. George Ardisson's portrayal of a ruthless, conniving aristocrat who was responsible for Adele's death adds to the oppressive atmosphere of the film, setting the stage for the vindictive spirit to take its revenge through a series of eerie, hair-raising events.

More than the apparent tale of vengeance and horror, the movie vividly portrays and weaves a tale of injustice and its aftermath. Every character in The Long Hair of Death carries the underlying theme of flawed morality and the relentless pursuit of justice. However, it is Barbara Steele who holds her ground as the captivating centerpiece of the narrative. Steele truly shines in the role of Elizabeth, presenting us with a strong, adamant protagonist whose fate is tied up with supernatural powers beyond human understanding.

The Long Hair of Death employs a minimalistic approach to its set design, lighting, and effects that make for an evocative portrayal of the grim nature of the era in which it is set. The use of stark shadows, diffused lighting, along with an eerie, gloomy atmosphere maintains a sense of dread, successfully keeping the audience on the edge of their seats. The production quality, even while relying on a budget on the smaller side for a film of this genre, is admirable.

The film's Gothic aesthetic, coupled with a compelling storyline and haunting performances, gives an air of chilling supernaturalism that vividly portrays how the sins of the past can echo down through the generations. The audience is given a grim reminder of the long-lasting effects of reputations tarnished and lives ruined by wrongful accusations and injustice.

In terms of cinematography, the film extensively uses bold and dynamic camera angles accompanied by a masterful use of light and shadow that make for memorable visual storytelling. It contributes to the moody, eerie tone of the film and beautifully reflects the dark narrative the film intends to convey.

Equally effective is the nuanced musical score by Carlo Rustichelli, which blends perfectly with the film's uncanny atmosphere. The almost eerily serene music accompanies the increasingly suspenseful, nail-biting moments, enhancing the overall viewing experience.

In conclusion, The Long Hair of Death, in all its gothic glory, is a notable entry in the Italian horror genre of the sixties. It offers a gripping narrative with compelling performances, highlighting the lasting impact of a mother's curse. With stellar performances from the cast, particularly Barbara Steele, and a masterful blend of suspense and horror, it is definitely a must-watch for fans of the genre. The Long Hair of Death blends horror, drama, suspense, and an intricate plot in a manner that is bound to keep the viewer engrossed and on the edge of their seat from beginning to end.