The Man

The Man is a captivating political drama from the early 70s that places James Earl Jones in the limelight, along with renowned actors like Martin Balsam and Burgess Meredith. Directed by Joseph Sargent and adapted from the novel by Irving Wallace, The Man offers a thought-provoking exploration of racial relations, political maneuvering, and the unexpected consequences of unanticipated power in the United States' highest office.

The Man tells the story of Douglass Dilman (James Earl Jones), the first African American President of the United States. However, this isn't achieved through the regular electoral process. Dilman, serving as President Pro Tempore of the Senate, is abruptly thrust into this prominent position when the President and Speaker of the House die in a freak accident, and the Vice President is indisposed by illness.

Taking on this massive responsibility, Dilman must deal with multifaceted pressures and maneuver through a swamp of political machinations, trying to uphold the duties of the office while struggling to prove his mettle to a doubtful nation and sceptical media. Not only must Dilman overcome political hurdles and confront bigotry within his own administration, but he must also maintain a solid front at home with his daughters.

James Earl Jones delivers a compelling performance as the accidental president. His resonant voice and commanding presence are hard to ignore, and he flawlessly portrays a man facing the pressures of unprecedented responsibility and societal prejudice.

Martin Balsam takes on the role of Dilman's Vice President, Ted Matthews, a character teetering on the edges of ambition and loyalty. Matthews is testy and intelligent, and Balsam infuses the character with a sort of likability that often clashes with Dilman's manner of ruling.

Burgess Meredith, in the role of Senator Watson, creates a political bulldog type character. Steely, stubborn, and sometimes calculating, Meredith's character serves as an antagonistic figure, challenging Jones’ character at every turn, and providing a stark example of the kinds of challenges that were faced by those who dared to defy the social norms of the time.

The Man, apart from being a political drama, is also a commentary on the racial tensions of its time. Released in the era of the Civil Rights Movement and the Black Power Movement, the movie uses its unique premise to explore the reactions of a majority white political establishment and populace to the unlikely rise of an African American to the office of the President. Writer Rod Serling, best known for his work on 'The Twilight Zone', employs his knack for social commentary in developing a story that, while set in the corridors of power in Washington, has implications that speak to every American.

With its lead character often finding himself at odds with establishment figures and fighting to assert his authority, The Man is a potent piece of dramatic cinema. While the movie was a product of its time, it remains relevant today as it deals with the timeless themes of racial bias, political intrigue, and personal courage.

The Man's cinematography matches the intensity of its narrative, maintaining a crisp, dark palette that beautifully compliments the turmoil churning within Washington’s political machinery. The director Sargent successfully graduated from made-for-TV films to feature films with this offering, managing to retain the intimacy of character study while being able to paint on a much bigger canvas.

Although Jones is the standout, the movie is packed with strong performances that add colour to the political world of the 70s. Furthermore, The Man does an excellent job evening out its drama with refined subtlety and moments of quiet introspection, adding layers of complexity to a gripping plot.

In conclusion, The Man offers a deep dive into political intrigue, a study of trials faced by those who dare to challenge the status quo, and a thought-provoking reflection on racial relations in America. It's a movie that goes beyond its time, raising questions that are still pertinent today. From the stellar performances to the compelling narrative, The Man is not a movie to be overlooked by any fan of political dramas. Watching James Earl Jones, Martin Balsam, and Burgess Meredith at their acting finest is just the cherry on top.