The Mikado

The Mikado is a lighthearted, charming piece of musical comedy genius that became one of the most memorable British television productions of the 1980s, featuring the versatile comedic actor, Eric Idle, alongside extraordinary soprano, Lesley Garrett, and tenor, Bonaventura Bottone.

The film presents a familiar narrative, being an adaptation of Gilbert and Sullivan's best-known operetta of the same name. The operetta is set in the Japanese town of Titipu and explores themes of romance, mistaken identities, and sociopolitical satire. However, it's the film's handling of this production that makes it truly unique and even more enjoyable.

In the center of the story is the character of Nanki-Poo, played by Bottone. The fact that he's actually the son of the Mikado (the emperor of Japan) is a secret to almost everyone except for a couple of individuals, including Ko-Ko, the Lord High Executioner, played by Idle. Also trapped in this hilarious whirl of humorous intrigues and misinterpretations is the character of Yum-Yum, a beautiful maiden portrayed by Garrett, who is beloved by Nanki-Poo but also desired by Ko-Ko.

What sets this rendition apart is the star-studded cast's performances. Eric Idle, renowned for being part of the iconic troupe Monty Python, delivers a standout performance as Ko-Ko. His character is supposed to fill the shoes of the city's executioner and marries Yum-Yum. Idle provides a sense of comic timing typical of the Monty Python complimented by warmth and endearment. He particularly shines in his rendition of "I've Got a Little List," incorporating contemporary nods that induce belly laughs from the audience.

Soprano Lesley Garrett adds sparkle to the film with her portrayal of Yum-Yum. Her operatic expertise lends depth and richness to the character, and her chemistry with Bottone is palpable. Her moving singing and skillful acting create a unique interpretation of Yum-Yum that is both irresistibly charming and impressively engaging.

Bottone delivers an equally exceptional and appealing performance as Nanki-Poo. His power-packed tenor voice and charismatic portrayal lend the film its distinctive romantic aura. His interactions with both Garrett and Idle are both comical and charming, drawing the viewer into the plot's escapades. His performance of ‘A Wand’ring Minstrel I’ will especially make viewers fall in love with his character.

Directed by Norman Campbell, The Mikado’s production values are a major draw. The traditional Japanese setting is beautifully created. The costume designs are vibrant, detailed, and reflect the characters, their personality profiles, and the work as a whole's playful nature. The set designs give the film a timeless, fairytale-like touch and enhance the narrative's whimsical elements. The music, under the direction of Sir Alexander Gibson, pays tribute to the original Gilbert and Sullivan operetta while giving it a modern flair.

The genius of the original operetta lies in its ability to satirize the absurdities of the British political and social systems. This adaptation sustains that satire while offering a fresh interpretation that is a testament to the timelessness of Gilbert and Sullivan's work.

The Mikado from 1987 is certainly a delight for theater and musical lovers. It brings together a remarkable cast and high production values to present an engaging adaptation of a much-loved operetta. The result is a magical treat of comedy and music that has the power to enchant viewers of all ages. An appreciation of opera is not essential to enjoy this film, but an appreciation of the universal themes of love, humor, and satire certainly is. The joyfulness and good-hearted fun of this adaptation truly embodies the spirit of Gilbert and Sullivan, making it a must-watch film for all.