The Navigator: A Mediaeval Odyssey

The Navigator: A Mediæval Odyssey is a unique and extraordinary movie that combines the mystic aura of medieval Europe with the high tech world of the twentieth century. Directed by Vincent Ward, the film features Bruce Lyons, Chris Haywood, and Hamish Gough in key roles that connect two worlds and two timelines. The movie, first released in 1988, explores a time-travelling adventure that starts from the black plague-stricken 14th century Cumbria and ends in the modern age Auckland, New Zealand.

The film revolves around the lead character named Griffin (played by Hamish Gough), a young boy with powers of clairvoyance who hails from an isolated and primitive mining village in England. Struggling with the perpetual night terrors of an impending doom, Griffin continuously envisions his village being affected by the horrific plague. As the youngest among the group of villagers, he finds himself taking on an unlikely leading role to carve a future for his family and the rest of the miners.

Bruce Lyons, in the role of Connor, becomes the willing assistant and protector of Griffin with an unwavering belief in the young boy's vision. The dynamic duo, along with a ragtag group of miners, embarks on a journey to create a copper cross that can supposedly act as a spiritual hearth against the onset of the plague.

The Navigator presents an underlying duality, with the world of 14th century England characterized by superstition, dread, and an archaic lifestyle standing starkly against the backdrop of 20th century New Zealand, a world filled with towering buildings, roaring cars, and radiant street lights. This unexpected leap in time serves to highlight the adventure that Griffin and his companions embark on, thereby helping them address their fears.

The film moves seamlessly between the stark black-and-white portrayal of the medieval world, imbued with doom and fear of the plague to the contrasting vibrant and bustling modern-age in full color. Director Vincent Ward creates a vivid portrayal of these two worlds, often so different yet tied together through the narrative of fear, faith, aspiration, and determination. The anxiety and dread of Griffin's medieval world are strikingly juxtaposed against the ultramodern Auckland, while both communities are seen dealing with their versions of chaos and uncertainty.

Chris Haywood, playing the critical role of Searle, adds an element of cynicism and doubt to the compelling narrative. His character,while presenting a contrast to the blind faith of miners, inevitably becomes part of their odyssey and the unimaginable journey they undertake for survival.

The Navigator successfully anchors itself in the arena of fantastical realism and continues to impress with its grand narrative and visual storytelling. It's a movie that challenges the imagination by juxtaposing two different eras, pointing out that despite the vast differences, the raw human emotions of fear, hope, faith, and determination remain the same. The journey embarked on by Griffin and his team isn't just a journey through time, but is representative of an internal journey undertaken by each character to confront their fear.

Fine performances by Bruce Lyons and young Hamish Gough effectively renders the emotional complexity of their respective characters. The growth of Griffin from a scared, prophetic boy to a decisive and influential figure is fascinating to watch. Connor's loyalty, despite the inexplicable circumstances and the simultaneous portrayal of courage and fear, offers an in-depth exploration of his character.

The Navigator: A Mediæval Odyssey is an unforgettable cinematic experience that weaves a splendid tale of faith, fear, and survival. It captures the essence of human spirit and the will to overcome adversity in whatever form it presents itself. Whether you are a fan of time travel narratives, or enjoy movies with deep existential themes, The Navigator: A Mediæval Odyssey is an intriguing watch. From the haunting monochromatic palette of 14th century England to the neon-streaked streets of 20th century Auckland, the film presents a visual journey that seeks to engage the viewers on multiple levels. It’s a film that reminds its audience that no matter how much our world may change, the fundamental human spirit remains remarkably constant.