The Savage Seven

The Savage Seven is a captivating action-drama film from 1968 directed by Richard Rush and featuring a notable cast that includes Robert Walker Jr, Joanna Frank, and John Garwood. Infused with the themes permeating the counterculture era, the movie presents a unique blend of biker culture, social rebellion, and the fight against racial discrimination- it is an interesting testament to the varying cultural and societal tensions of the late 1960s.

The film pivots around the exhilarating world of motorcycle gangs, particularly focusing on the rebellious, unconventional lifestyle that they embody. The setting is a dusty, small Southwest town which acts as a transient home to our primary group of bikers called 'The Savage Seven.' This band of bikers, led by Robert Walker Jr's character 'Kisum,' are a thrill-seeking, nonconformist group who live for the taste of adrenaline and freedom that their bikes provide.

Robert Walker Jr, widely known for his role in Star Trek, brings the character of Kisum to life, making him an iconic figure with a rebellious spirit. Joanna Frank, as a Native American girl named 'Linda Little Trees,' adds to the complex narrative with her engaging performance, stirring both compassion and intrigue in the audience.

John Garwood, known for his commendable acting skills, plays the part seamlessly but finds himself on the opposite side of the narrative's conflict. The movie acquaints the audience with a local Native American population living in the area, struggling against the exploitation and defilement of their sacred land by a corrupt businessman-'Romko' played by Garwood. The narrative brings the bikers and the Native American population into an unforeseen alliance against this common threat.

The film deeply highlights the power of unity against the face of oppression and unrighteousness. The face-off between The Savage Seven, the Native people, and the antagonistic Romko, acts as a commentary on the prevailing power dynamics and racial tensions of the time. But it's also fun with its edge-of-the-seat thrill that finds a balance with the poignant, culturally charged subplots.

Furthermore, the movie also provides important insights into the unique bike culture of the 1960s. The motorcycles are much more than mere vehicles; they are a symbol of freedom, rebellion, and assertion of individuality. In 'The Savage Seven,' the theme of social rebellion comes across strongly as the bikers challenge powerful, corrupt adversaries, and societal norms. The representation of bikers, often seen as rebels or social pariahs, as an unlikely force of good, offers an unusual plot twist to the audience.

Notably, The Savage Seven is replete with edgy motorcycle chases, dramatic showdowns, and moments of tension that would keep any motoring enthusiasts hooked to the narrative. Director Richard Rush, having already honed his skills in action-filmmaking, puts his directorial acumen into making these scenes dynamic and gripping.

The soundtrack of the film, conducted by notable musicians of the time, adds a whole other layer to the film's texture. It gives viewers a lively pastiche of the counterculture era, with rock and blues-themed tracks lending an authentic feel and adding to the high-powered action sequences.

The Savage Seven might not be one of the era's most highly celebrated films, but it certainly has a cult following, especially among bike enthusiasts and those interested in 60s counterculture. Its exploration of oppression, brotherhood, rebellion, and social dynamics during a volatile era in the United States' history is both thought-provoking and entertaining.

In conclusion, The Savage Seven strikingly captures a specific slice of both social culture and bike subculture in the late 1960s. With an enthusiastic cast, a compelling societal commentary, fast-paced action sequences and a memorable soundtrack- the movie is a gripping ride offering its own brand of action-drama cinema. The Savage Seven is surely a trip worth taking for those who are eager to explore the fascinating dynamics of late 60s America.