The Secretary

The Secretary, released in 1995, is a thought-provoking drama that explores themes of power dynamics, personal freedom, and the complexities of human relationships. Directed by Steven Shainberg, the film stars Mel Harris as Lee Holloway, Sheila Kelley as her dominant employer, and Barry Bostwick as Lee's fiancé, providing a compelling narrative that delves into the intricacies of desire and self-discovery.

Set against the backdrop of an unassuming law office, the film centers around Lee Holloway, a young woman recently released from a mental institution where she battled with her self-harming tendencies. Lee is portrayed as quiet and introspective, striving to lead a normal life, which includes securing a job after her discharge. When she takes a position as a secretary for the demanding attorney E. Edward Grey, played by Jeremy Davies, her life begins to take an unexpected turn.

E. Edward Grey, characterized by his intense, commanding presence, exudes a mix of authority and vulnerability. As Lee settles into her role, she finds herself drawn to his unpredictable nature and the tension that simmers beneath their professional relationship. The film artfully balances moments of tension and tenderness, inviting viewers to explore the delicate boundaries between employer and employee, and the possibilities of unconventional love.

Lee's interactions with Grey reveal profound layers of attraction and psychological interplay. While the surface nature of their relationship appears to be purely professional, it quickly becomes clear that there exists an unspoken connection between them. Grey’s controlling tendencies awaken something within Lee, stirring her desires and pushing her further into a complex emotional landscape. The film poignantly captures her awakening realization about her own needs and identity.

As the story unfolds, Lee’s relationship with Grey grows increasingly intricate, exploring the balance of dominance and submission. This dynamic becomes a crucial focal point in the film, prompting viewers to consider the nuances of consent and power play in romantic relationships. While Grey's behavior can sometimes be seen as cruel or demanding, the film highlights the importance of communication and mutual respect in fostering healthy connections, challenging traditional notions of authority and vulnerability.

Simultaneously, Lee navigates her engagement to her boyfriend, who represents a more conventional path. Barry Bostwick’s character embodies the everyday expectations placed on women, showcasing the contrast between societal norms and Lee's emerging desires. This tension adds depth to the narrative, as Lee grapples with her feelings for both men—one representing safety and tradition, while the other embodies a world of excitement and potential danger.

Visually, The Secretary employs a subtle and elegant style, using cinematography that mirrors the psychological states of its characters. The muted colors and composed frames evoke a sense of claustrophobia that reflects Lee's internal struggles and the confinement of her life prior to her job with Grey. Conversely, scenes of intimacy and connection are often shot with warmth and intimacy, inviting viewers to partake in Lee's emotional journey.

The film also cleverly incorporates humor, allowing for moments of levity amidst the darker themes. The quirky interactions and misunderstandings between characters serve to endear them to the audience, enhancing the film's overall tone. The dialogue often feels sharp and insightful, marked by wit that keeps viewers engaged and invested in the unfolding drama.

The narrative culminates in a nuanced exploration of freedom and self-acceptance. Lee's journey is one of discovering her own boundaries and capabilities, as she learns to assert her needs in a complex environment. The film does not shy away from the discomforts and challenges of this exploration, making it a poignant examination of the human condition.

Ultimately, The Secretary presents a layered and multifaceted portrayal of a woman navigating her identity within the constraints of societal expectations and personal desires. It is a narrative that invites introspection, challenging audiences to consider the myriad ways in which we understand ourselves and our relationships. As Lee Holloway embarks on her journey of self-discovery, viewers are left to reflect on their own perceptions of love, power, and what it truly means to be free.

With strong performances by Harris, Kelley, and Bostwick, and a script that deftly intertwines moments of drama and humor, The Secretary stands as a unique contribution to the cinematic landscape of the 1990s. Its exploration of relationships, self-discovery, and the grey areas of love make it a film that resonates long after the credits roll.