The Sphinx

The Sphinx is a thrilling mystery film from the early days of talking cinema, released in 1933. This captivating movie is directed by Phil Rosen, a noted filmmaker of the period known for his skills in suspense and intrigue. The movie stars Lionel Atwill, Sheila Terry, and Theodore Newton in the lead roles, and they skillfully bring to life their characters against the eerie backdrop of the plot.

The chief protagonist of the film is Lionel Atwill, essaying the role of Jerome Breen, a wealthy and enigmatic man. Atwill, a consummate professional, who had already made a name for himself through various suspense and horror movies of that epoch, brings out the inscrutability of his character with his engaging screen presence. His portrayal of Breen is suitably mysterious and quietly menacing, keeping the audience on the edge of their seats.

Sheila Terry, playing the female lead, showcases her acting prowess through a strong and resourceful character, Germaine, a reporter who's on a mission. Her spirited performance holds its own against Atwill's brooding character, and together, they produce some truly captivating moments on-screen.

Theodore Newton plays Jack Burton, the brave and dogged investigator. Newton's solid performance as the determined investigator seeking truth and justice lends grit and integrity to this mystery narrative.

As the plot unfolds, Jerome Breen becomes a person of interest when he miraculously survives a building collapse only to be accused of multiple murders committed in the vicinity of his building. Breen, a mute, communicates only through written words, which add another layer of intrigue and complexity to the storyline. This condition consequently sparks theories about his possible connection to the murders as Breen was seen in these locations shortly before the crimes were committed. The killings are carried out with such calculated precision that they suggest the handiwork of a mastermind. The audiences are left wondering whether it is mere coincidence or if Breen is indeed the cold-blooded murderer.

Thrown into this enigma is the sassy reporter, Germaine, and the honest investigator, Jack Burton, both endeavoring to unravel the truth behind these perplexing series of events.

One notable aspect of The Sphinx is in the handling of the "will they or won't they catch the murderer?" suspense, which director Phil Rosen manages to maintain throughout the film. The narrative relies heavily on a combination of suggestive visuals and evocative dialogues to create a sense of uncertainty, which impacts the viewer's perception of the characters and events.

Moreover, The Sphinx interestingly explores the dichotomy symbolized by its title. On one side, we have the idea of the mythical Sphinx - known to be inscrutable and withheld - embodied by Breen. On the other side, we have relentless sleuths, replicating the historic relentless attempts of men to unravel the mystery of the Sphinx.

The film employs a variety of cinematic techniques that were progressive for its time. From brilliantly lit up set pieces and shadows to exchange of pointed dialogues and intense scenes of revelation, The Sphinx doesn't shy away from making a solid, lasting impact. It makes ample use of its black and white palette to heighten the sense of suspense and evoke an ambiance of subtle horror.

From a historical perspective, The Sphinx is an engaging representation of the socio-political scenario of 1930s America. The screenplay subtly hints at the economic uncertainties and the fear psychosis that was prevalent during the Great Depression, with its narrative revolving around crime, investigation, and justice.

In a nutshell, The Sphinx is a classic mystery thriller of the 1930s that checks all the boxes for an exciting movie experience – suspense, intrigue, a clever plot, and acting parlance that keeps the viewers engaged until the very end. One cannot help but be drawn into this gripping narrative filled with unexpected twists and turns. A must-watch for anyone who appreciates a well-crafted whodunit from Hollywood's bygone era.