The Three Faces of Eve

The Three Faces of Eve, a psychological drama released in 1957, is a powerful cinematic examination of a rare psychological disorder, featuring a standout performance from Joanne Woodward that would go on to win her an Academy Award for Best Actress.

Central to the plot is Woodward's portrayal of the main character, Eve White, a genteel Southern housewife leading a somewhat mundane life in Georgia. Yet beneath this seemingly ordinary façade, Eve grapples with a psychological condition that would be diagnosed as multiple personality disorder - known today as Dissociative Identity Disorder. Woodward masterfully recreates the turbulent inner world of Eve, whose divided identities pull her, and the audience, into an intense and emotionally charged psychological mystery.

The film begins by introducing viewers to Eve White, who, beset by headaches and blackouts, seeks the help of psychiatrist Dr. Luther played by Lee J. Cobb. During their sessions, it becomes apparent that Eve is not one, but three different personalities. Woodward brings each personality to life with distinct characteristics, behaviors, and even voices - demonstrating her immersive acting prowess.

First, there's Eve White, the reserved, soft-spoken wife and the mother who, despite her love for her husband Ralph (David Wayne), inexplicably experiences episodes of irrational behavior and memory loss. Then there's Eve Black, a seductive, lively, and somewhat belligerent personality, who knows about Eve White but despises her for her timidity. Eve Black is presented as carefree and rebellious, without any moral responsibilities, and often causing great trouble for Eve White. And finally, Jane, the third and most balanced personality, who emerges later in the film, bringing yet another layer to this complex character.

Wrapped in entrancing black-and-white cinematography, The Three Faces of Eve is an exploration of the human mind grappling with itself, navigating its fragmentation, and exploring the possibilities of healing. It's a gripping portrayal of a woman enduring a harrowing internal conflict, trying to reconcile her fragmented self into a unified whole.

Director Nunnally Johnson, also known for his work as a screenwriter, has applied a sensitive touch to the narrative structure, giving an insightful look into mental health issues. The film doesn't intend to oversimplify or sensationalize the condition but stays true to its source material - a case study titled 'A Case of Multiple Personality' by Corbett H. Thigpen and Hervey M. Cleckley.

David Wayne, as Eve's perplexed and long-suffering husband, Ralph, provides an excellent supporting performance by sturdily grounding the narrative, as he helps the audience comprehend the dramatic changes Eve undergoes. His bafflement mirrors the audiences, making him an effective character to contextualize the narrative's emotional weight.

But it's Joanne Woodward's extraordinary versatility that steals the show. Her nuanced performance delivers a moving picture of a woman striving for control amidst internal chaos. She's often sublime in projecting Eve's vulnerability and the strength that come across so palpably to the audience.

In addition, Lee J. Cobb excels in his role as the empathetic Dr. Luther. His character is portrayed as a reserved yet deeply compassionate figure who ties the narrative together, providing scientific context for Eve's mental struggles.

With its sobering focus on a misunderstood and often misrepresented psychological condition, The Three Faces of Eve balances suspense, drama, and introspection. It offers no unnecessary frills or feigned dramatics but delivers a respectful and immersive study of Eve’s disorder. It's a movie that pushes the boundaries of its time, both cinematically and in terms of social awareness, helping to bring light to the oft-misunderstood realm of mental health.

In its totality, The Three Faces of Eve is a compelling, emotionally charged film, driven by its clinical depiction of a unique circumstance and unusual psychological condition. It still holds up today, over 60 years later, as an important and groundbreaking film in the psychological drama genre. It's a must-see film for lovers of classic cinema and extraordinary performances.