The Trial of Joan of Arc

The 1962 movie 'The Trial of Joan of Arc' is a historical drama directed by the influential French filmmaker Robert Bresson. It features performances by Florence Delay in the title role, with Jean-Claude Fourneau and Roger Honorat among others in supporting roles. A standout feature of this film is how it explores an important part of French history, with Joan of Arc – one of the country's most heralded icons – at the center.

The film is based on the actual transcripts of Joan of Arc's trial that took place in 1431, providing a unique authenticity that only heightens the captivating narrative. This palpable sense of realism is further fueled by Bresson's signature contemplative style and minimalist aesthetic, mitigating distraction of any ornamental frills to allow for a greater focus on the narrative unfolding.

At the movie's forefront is a stirring portrayal by Florence Delay, playing the young Joan, whose acting debut here is nothing short of mesmerizing. Bringing Joan to life, she convincingly captures the existential plight of the maiden-warrior, who led the French to victory over the English at Orléans when she was just seventeen, only to face charges of heresy and witchcraft a few years later.

The Trial of Joan of Arc delves deep into Joan's trial and subsequent execution, fixating on the potent dialogues and power dynamics that unfurl, rather than dwelling on physical violence or battle scenes. Its refusal to depict explicit historical events lets us dive into the text-heavy script, subtly nudging us to reflect on themes of faith, patriotism, and the gender politics of the time.

Bresson's characteristic use of non-professional actors lends the film a unique sense of realism. True to his style, he casts Jean-Claude Fourneau, a painter by profession, as Bishop Pierre Cauchon, the chief inquisitor in Joan's trial. Roger Honorat, another professional artist, adeptly plays Jean Le Maistre, the Vice-Inquisitor. These unconventional choices enhance the raw authenticity of the film, making it feel like a documentary rather than a traditional narrative drama.

The film’s narrative structure is replete with long, static takes, with Bresson often focusing on the characters’ minute reactions instead of overtly dramatic expressions. As with many of Bresson's works, the film’s cinematography is stark and minimalist. The austere settings, the rigid postures of the characters, and the measured pace of the dialogue delivery all conspire to create a stark universe that mirrors the bleak situation Joan finds herself in.

Notably, 'The Trial of Joan of Arc' is one of the shorter films in Bresson's oeuvre, running at only 65 minutes. However, the brief runtime does not limit its depth and resonance, but rather contributes to its brisk, focused expose of the legendary trial and its tragic protagonist. The tight narrative meticulously details the various aspects of the trial, showcasing Joan's courage in the face of adversity, the stubborn determination of her inquisitors, and the harsh realities of the era.

The film takes a somewhat unconventional path as it refrains from melodramatic scenes or sentimental portraits of Joan's suffering, staying true to Bresson's vision. At one point, Joan asserts that she is directed by God, and it is up to viewers to decide whether it is divine intervention, Joan's impassioned imagination, or a bit of both that drives her courageous actions.

Overall, 'The Trial of Joan of Arc' offers an intense and cerebral exploration of Joan of Arc’s trial, doing justice to her strident resilience, struggle, and deep faith in her divine purpose – despite her brief lifespan. It is a masterfully crafted cinematic piece that invites audiences to re-examine the historical narrative from a unique perspective.

In conclusion, 'The Trial of Joan of Arc' is a thought-provoking historical drama, stripped of conventional sensationalism, that delves into the life, tribulations, and indomitable spirit of a legendary heroine. Its meticulous retelling of a historical event, married with Bresson's characteristic restrained filmmaking, renders it a riveting, philosophical immersion into the life of France’s most revered saint, Joan of Arc.