The Wedding Present

The Wedding Present is a romantic comedy film released in 1936, which bubbles with the charisma of its leading stars, Joan Bennett and Cary Grant, alongside the formidable presence of George Bancroft. Set in the bustling backdrop of a busy newspaper office, the film unravels a story filled with wit, romance, and the comedic chaos typical of the screwball genre prevalent during the 1930s. Directed by Richard Wallace, the movie provides audiences with light-hearted entertainment while showcasing the delightful chemistry between its charming leads.

At the center of The Wedding Present's narrative are Charlie Mason (Cary Grant) and Rusty Fleming (Joan Bennett), two witty and ambitious journalists who work together at a Chicago newspaper. When the film opens, we are immediately introduced to their playful banter and clear-cut camaraderie. These reporters are not just colleagues but best friends and romantically linked partners in newsmaking, who are often seen colluding to meet deadlines and scooping up stories with equal enthusiasm and competitive spirit.

Charlie, with his debonair, quick-witted persona, is the quintessential dashing reporter with a knack for charming his way out of, or into, any situation. His penchant for practical jokes and mischievous methods when cornering a story reflects a carefree, impromptu attitude towards life and work. Cary Grant's natural charisma brings a likable roguish flair to Charlie, making him a captivating character that audiences can't help but root for.

Rusty, on the other hand, is a vibrant, strong-willed, and sharp-tongued woman who gives Charlie a run for his money. Joan Bennett, with her sparkling screen presence, delivers a performance embodying the smart, self-reliant, and quick-witted traits of her character. Rusty's intelligence and charm make her a formidable journalist and an equal to Charlie in every respect, providing an example of a progressive female character for the era.

Adding to the mix is the character of Mr. Archibald B. Stagg, played by George Bancroft. Stagg is the new editor of the newspaper and a stickler for discipline and traditional journalistic ethics. Stagg's no-nonsense, gruff approach directly clashes with Charlie and Rusty's freewheeling style of journalism, leading to a comedic conflict that sets the tone for much of the film's humor. Bancroft's portrayal of Stagg is both stern and endearing, forming a perfect foil to the dynamic duo's high jinks.

The plot of The Wedding Present weaves through a series of romantic and professional highs and lows, as Charlie and Rusty navigate their careers, the changing landscape of the newspaper industry, and their complex relationship. With their jobs increasingly on the line under Stagg's critical eye, the story is not just about the scoops and headlines but also the sparks flying between two people who are unsure where the boundary lies between love and competition.

As the film's title suggests, there is an impending matrimonial undertone to the story. However, the path to the altar is a far cry from straightforward, with twists and turns that keep the characters—and the audience—guessing. The interactions between Charlie and Rusty are laced with sharp dialogue, fast-paced repartee, and a delightful battle of the sexes tone that was a signature of screwball comedies of the time.

The production values of The Wedding Present illustrate the typical look and feel of a mid-1930s film. The sets reflect the bustling aura of the newsroom, while the costumes and cinematography transport the audience to a time when journalism had a more dramatic flair. Moreover, the direction by Richard Wallace maintains a brisk pace that keeps the energy of the film high from beginning to end, further underscoring the film's effervescent mood.

The humor in The Wedding Present is often situational, relying on the absurdity and unpredictability of Charlie and Rusty's adventures. Some of the comedy also comes from the supporting cast—a collection of quirky characters including fellow reporters, sources, and other employees—who contribute to the merry mayhem that surrounds the lead characters.

Overall, The Wedding Present is an enjoyable romp through the world of newsprint and nascent love. It exhibits the trademark screwball elements of absurd situations, rapid-fire dialogue, and the classic mismatched pair who are unmistakably meant for each other. It's a portrayal of a professional and romantic partnership tested by ambition, pride, and a changing world. Ultimately, the film stands as an exemplar of its genre, showcasing the talent of its stars and offering a nostalgic glimpse into the lighthearted side of classic Hollywood filmmaking.