They Made Me A Criminal

Directed by Busby Berkeley and released in 1939, They Made Me A Criminal, is a black-and-white American film noir, falling into the genre of drama, crime and mystery. Resiliently crafted around an engaging blend of suspense, pathos, and redemption, it showcases the grittier tones of Hollywood's Golden Age, with social commentary that remains strikingly relevant even in contemporary times. The film vividly brings together an alluring array of talents, with the principal cast inclusive of the Hollywood icon John Garfield, the ever versatile Claude Rains, and the exuberant group famously known as The Dead End Kids.

John Garfield, in his first leading role following his successful debut in Four Daughters, dauntlessly plays the part of Johnnie Bradfield, a world champion boxer. Bradfield is a character of complexities, initially portrayed as a ‘clean-living’ man with a carefully manipulated public image, which significantly contrasts with his actual private life of indulgence, heavy drinking, and unapologetic womanizing. The narrative takes a dramatic turn when Bradfield is wrongfully accused of a crime he did not commit, catapulting him into an intense battle for survival in a world that denounces him.

They Made Me A Criminal captures the essence of its protagonist’s transformative journey with a phenomenal screenplay by Sig Herzig and Beulah Marie Dix. It meticulously details Bradfield’s potential downfall and subsequent transformation by weaving a delicate tapestry of fast-paced action, nail-biting suspense, poignantly dramatic moments, and clever humor - making it an engaging experience even for the modern viewer.

Claude Rains, delivering a commanding performance, portrays Inspector Monty Phelan, a dedicated detective convinced of Bradfield’s guilt. With Rains's ubiquitous presence, the film navigates the thin line between the necessity of law and its potential misuse, further offering a deeper commentary on justice, guilt and innocence. This well-realized, multi-layered character significantly adds to the rich dynamic of the film, grappling with ethical dilemmas as he diligently pursues Bradfield across the country.

The film also features The Dead End Kids, a group of young actors known for their on-screen camaraderie and distinct collective charisma. In their roles as troubled youths living in a boys' home, they imbue the narrative with a much-needed levity, complete with endearing friendships and an undercurrent of emotional depth.

Adding to these powerful performances, the adept direction of Busby Berkeley makes They Made Me A Criminal a compelling watch. Known for his elaborate musical productions, Berkeley shades his usual style to present a notably different cinematic venture. His superb execution enables the film to oscillate effortlessly between the atmospheric charm of rural Americana and the edgy, dystopian realism of a noir thriller.

The shadowy cinematography, perfectly aligning with the film's noir style, forms a contrasting backdrop to the dusty sunlit fields where Bradfield finds his tentative refuge. The stunning visuals further enhance the film’s narrative, showcasing the stark difference between his previous world of fame and luxury, and the laborious rural reality he finds himself thrust into.

They Made Me A Criminal also explores themes of redemption, self-realization, and reformation amidst its fast-paced chase sequences and smoky noir setpieces. The movie does a remarkable job of showcasing transformation and hope in a seemingly grim setting, making it an endearing human story amidst all its crime and drama.

The multi-layered plot, unforgettable performances and gripping direction make They Made Me A Criminal not just a seminal film in the noir genre; it stands as a testament to the timeless appeal of classic cinema. Whether you are a film noir enthusiast, a fan of the classic Hollywood era, or someone who appreciates a powerful story delivered with finesse, They Made Me A Criminal is one cinematic journey that is hard to forget.