They Still Call Me Bruce

They Still Call Me Bruce is an American comedy film that was released in 1987. Directed by Johnny Yune and James R. Orr, the movie follows the hilarious yet thrilling exploits of a character named "Bruce," portrayed by Johnny Yune. The movie is a sequel to the 1982 comedy film, "They Call Me Bruce?"

Johnny Yune reprises his role as Bruce, a Korean man who is constantly mistaken for martial arts legend Bruce Lee due to his uncanny resemblance. Yune's character undergoes a multitude of entertaining situations drip-fed with physical slapstick comedy, wordplay, and clever visual gags throughout the film, bringing a few laugh-out-loud moments for the audience.

As the storyline unfolds, Bruce, currently serving as an inept and rather quirky comedian at an inconspicuous nightclub, finds himself entangled in wildly unpredictable circumstances. This becomes the foundation of a series of comedic misadventures as Bruce tries to navigate through a world where everyone assumes he is a martial arts master.

Wrapped in this identity crisis, Bruce attempts to open a martial arts school in Los Angeles, powered by his assumed martial expertise. His path crosses with his co-star, a street-smart orphan portrayed by David Mendenhall. David Mendenhall's character, known for his role in the movie Over the Top, brings an intense, emotional undercurrent. Mendenhall portrays an orphan boy who relies on his wits to survive, and throughout the film, a heartwarming relationship develops between Bruce and the orphan child, adding a touch of emotion to the comedic proceedings.

Humorous social misunderstandings and cross-cultural antics continue to weave throughout the film, helping to propel Bruce into a series of unexpected misadventures. Sitcom legend Pat Paulsen adds to the comedic ensemble, playing a significant role in the film. His offbeat sense of humor and unique comedic style provide a wonderful contrast to Yune's punny, physical comedy.

In terms of direction, Johnny Yune and James R. Orr do an effective job of presenting a storyline that is simple yet engaging. The cinematography of this 1987 release captures the atmosphere of the late '80s, combining vivid scenery with the charm of retro settings. The directors make sure to get the most out of the comedic situations, and while some jokes may appear a bit dated, their inherent cleverness and Yune's robust performance ensure plenty of chuckles.

One notable aspect of They Still Call Me Bruce is its commentary on stereotyping and racial perceptions. Even as the film does abide by some stereotypes for comedic purposes, it also gently probes the audience into rethinking these same stereotypes. It’s a balancing act that gives the film its unique charm and separates it from other comedies of that era.

The film does not forget to pay homage to Bruce Lee, the legendary martial artist, and the visual and verbal references throughout the film reflect Yune's character's input in maintaining the Lee persona which comically misleads those around him.

They Still Call Me Bruce maintains its comedic integrity by cleverly balancing humor with an undercurrent of social commentary. It utilizes a simple but effective storyline that takes the audience on a joyride through the 1980s American lifestyle mired with cultural confusion, societal shifts, and of course, humorous misunderstandings.

While They Still Call Me Bruce may not be a cinematic masterpiece, it is nonetheless an entertaining ride. The late '80s setting, abundant comedy, and heartwarming scenes of friendship between Bruce and the orphan child all blend to produce an enjoyable movie-watching experience. A Korean man mistaken for Bruce Lee is an odd premise, yet it works splendidly for this film, offering up a delightful concoction of comedy and observation on cultural identities. Whether you're a fan of martial arts, keen for a nostalgia trip back to the late '80s, or simply in the mood for a good laugh, They Still Call Me Bruce is well worth a watch.