Touch

"Touch" is a thought-provoking film that was released in 1997. It starred Bridget Fonda, Christopher Walken, and Skeet Ulrich. This is an American drama that is based on the novel of the same name, written by Elmore Leonard. The film was directed by Paul Schrader, who has a long history of crafting films that focus on compelling and complex characters.

In "Touch", Skeet Ulrich plays Juvenal, a former friar who has inexplicably developed the ability to heal people and to manifest stigmata, the wounds resembling those of Jesus Christ. His character is quiet and introspective, burdened by his unusual abilities. Skeet Ulrich delivers a nuanced and impressive performance, communicating Juvenal’s internal struggle and longing for a normal life.

Bridget Fonda portrays Lynn Faulkner, a former circus performer who becomes a professional debunker of fake miracles and finds herself intrigued with Juvenal’s abilities. She becomes compelled to investigate whether Juvenal is the real deal or just another fraud. Fonda’s performance is both charming and compelling, bringing a sense of depth and complexity to her character who finds herself torn between doubt and belief.

Christopher Walken takes on the role of Bill Hill, a former preacher turned promoter who sees the potential to capitalize on Juvenal's stigmata and healing abilities. Walken embodies his character's cunning nature and his desire to exploit Juvenal for personal gain. His performance is critically acclaimed with his portrayal of a character that is at once sleazy yet also oddly sympathetic.

The storyline of "Touch" creates a fascinating exploration of faith, skepticism, and commercialism – how sincere belief can often be exploited for financial gains. The film is framed within a modern setting, thereby making the story relatable to contemporary audiences. The overarching theme reflects on hypocrisy and manipulation organized religions often engage in, employing vulnerable individuals for their own gains.

Juvenal's relationship with Lynn coupled with Bill's relentless pursuit of fortune builds a dramatic tension throughout the movie. As each character navigates their own beliefs and contradictions, the film poses intriguing questions about faith and religion's true essence. It delves into the skepticism surrounding miracles in an era ruled by science and logic, a theme that resonates even in today's world.

"Touch" has a unique narrative, blending drama with elements of satire. It's an engaging blend of character-driven drama and social commentary. The film’s use of religious symbolism is both thought-provoking and controversial, contributing to the movie’s overall allure. It’s a story that encourages viewers to think deeper about the nature of faith, and the line between sincere belief and exploitation.

The supporting cast including Tom Arnold and Gina Gershon further amplifies the dynamic story with their impeccable performances. Arnold’s portrayal of August Murray, a combative right-wing extremist, adds an additional layer of complexity to the narrative. As for Gershon, she is memorable as the skeptical journalist who adds a touch of cynicism to the plot.

"Touch" also features a memorable soundtrack, with music that enhances the mood and tone of the film. This is the sort of film that stays with you long after the credits roll, as it prompts the viewer to contemplate the delicate balance between faith and skepticism. The cinematography perfectly captures the spiritual world, yet it is deeply rooted in reality, adding a realistic touch to the miracle narratives.

Despite these heavy themes, "Touch" remains engaging and accessible, largely due to the charismatic performances from the main cast and the film's engaging dialogue. The movie is an exploration of faith and skepticism, charity and exploitation. It is a reflection on institutional structure that often engulfs the purity of individual faith that gets lost in translations, left out in lonesome.

Under Schrader’s direction, "Touch" comes across as a profound film that encourages the viewers to reflect on their own beliefs. Delivered with remarkable performances, "Touch" leaves the audience contemplating long after the movie ends.