Triangle of Sadness

Triangle of Sadness is a provocative, complex, and groundbreaking satirical drama from acclaimed Swedish writer-director Ruben Östlund. Ever noted for pushing cinematic boundaries, Östlund has managed to craft a film that perfectly balances laughter with thought-provoking commentary, sending viewers on a unique journey through the labyrinth of vanity, materialism, and a society deeply steeped in superficiality.

The film, released in 2022, primarily stars Thobias Thorwid, Harris Dickinson, and Charlbi Dean. These actors bring to life eccentric characters residing within a world of riches, luxury, and the relentless pursuit of physical perfection, in their respective roles.

The narrative orbits around the fashion industry and follows two models, one male (Harris Dickinson) and one female (Charlbi Dean). This industry's glamorous veneer seems to promise them wealth and a jet-setting lifestyle, but inevitably also corners them within a triangle of sadness – a term borrowed from plastic surgery discourse which refers to the area of the face that visibly ages first.

Dickinson and Dean portray their characters admirably, authentically capturing the human struggle within a world that places undue importance on superficial beauty. Thobias Thorwid, playing a character quite removed from this industry, offers a perfect foil to Dickinson and Dean. His role subtly but highly effectively counterpoints the lavish yet to some extent, hollow lifestyle of the models.

Undoubtedly, Triangle of Sadness is a visual spectacle, but what truly spells its magic is Östlund’s adept storytelling. Known for his experimentation with form, structure, and narrative, Östlund does not disappoint in this film. It unfolds unpredictably, the viewer left bemused and intrigued at every turn. The narrative trajectory of Triangle of Sadness is not simply a representation of luxury and the fashion industry but delves into deeper philosophical territories such as the question of fate vs free will and the existential debris left by a world obsessed with commodifying appearances.

Östlund humorously yet poignantly criticizes the systemic and pervasive materialist culture, putting under the microscope how our society values image and fantasy over reality. This theme runs like a rich tapestry throughout the film – from the glossy realm of fashion modeling to the opulent yachts of billionaires, into the deserted island where the characters eventually find themselves. Even in this bare and stripped-down environment, the obsession with materialism and vanity follow, showing viewers that these concerns are not confined to certain places or industries but are indeed engrained within the modern human psyche.

Östlund's control over his craft is evident in every frame. His unique mise-en-scène and stylistic minimalism are once again on display, much like in his earlier films. The camera work is detailed and purposeful, and the cinematography speaks volumes, augmenting the narrative effectively. The film cleverly uses small details to catalyze deeper introspection about the world we live in.

Vying between comedy and drama, Triangle of Sadness is a dexterously crafted film, satirically spiced up, and filled with moments of absurdity and profound truth. While it rightly criticizes the extravagance and ostentatiousness associated with the world of high fashion and luxury, it also encourages empathy for the models entangled within these realities.

The film has an atmospheric score that compliments its mood perfectly. The controlled sound design and evocative music become as pivotal as the visuals, contributing significantly to the film’s overall impact. Likewise, the costume and production design are meticulously crafted, fully immersing the viewer within the dazzling yet superficial world of fashion.

Triangle of Sadness is a distinctive film, evoking both an emotional reaction and stimulating thought with its satirical commentary on beauty, wealth, and society’s obsession with image. Boasting of strong performances and a mesmerizing narrative, it challenges viewers to reflect, to think, and to question the world around them. In summary, this film is yet another impressive feather in the cap of visionary filmmaker Ruben Östlund, a cinematic experience that skillfully balances style and substance.