Turbo Kid

Turbo Kid is an action-packed adventure movie that delivers thrills and unexpected heart set against a post-apocalyptic backdrop. Released in 2015, the film stars Munro Chambers, Laurence Leboeuf, and Michael Ironside.

Turbo Kid opens up in the desolate landscape of the post-apocalyptic year 1997. Directed by the trio of François Simard, Anouk Whissell, and Yoann-Karl Whissell under the collective pseudonym RKSS (Roadkill Superstar), the film crams in plenty of homage to 1980s nostalgia, striking a chord with audiences who hold a soft spot for the era.

Munro Chambers plays "The Kid," a young orphan in this dystopian world who spends his days scavenging for survival while reading comic books of his superhero, Turbo Rider. The Kid's life is routine and relatively peaceful until he crosses paths with an eccentric and hyperactive girl named Apple, played by Laurence Leboeuf. The quirky and endearing Apple helps bring The Kid out of his shell and makes him more confident about himself, adding a touch of light in an otherwise dark world.

However, their jovial dynamics get disrupted by the menacing character of Zeus (Michael Ironside), who governs the wasteland with an iron fist. Zeus, a self-proclaimed ruler, controls the world's remaining water supply and reigns through fear and intimidation. As the primary antagonist, Ironside's performance makes Zeus a feared and potent enemy. Siphoning the precious resource of water, Zeus becomes a formidable enemy for those who dare to stand against him.

Turbo Kid is not just a flat-out post-apocalyptic tale but embraces an unusual mix of genres. It's not shy of depicting graphic violence, but at the same time, it also injects strange humor and heartfelt moments that give the movie depth. Though primarily considered an action-adventure film, Turbo Kid also carries elements of horror, romance, and buddy comedy, providing an unpredictable, yet entertaining viewing experience.

The movie is gory and has its fair share of explosive scenes. It embraces aesthetic violence reminiscent of '80s B movies, where fight scenes are dished out in excessive, meticulously crafted visual carnage — yet all done with a distinguishable tongue-in-cheek approach that signifies its self-awareness. Turbo Kid has an offbeat feel, thanks to its synthesis of old-school special effects and a synthesizer-driven soundtrack that adds to its retro feel.

One of the movie's standout elements is its characters and their development. "The Kid," initially humble and afraid, goes through a journey of self-discovery and courage, showing enormous growth and transformation. Apple, with her innocence and humor, becomes less of a sidekick but more of a catalyst for The Kid's evolution. The strong chemistry between Chambers and Leboeuf is apparent, making the relationship between their characters compelling. An unskippable mention is also Michael Ironside’s Zeus, who effortlessly embodies the ruthless warlord, becoming a character you love to hate.

Simultaneously, Turbo Kid also manages to explore themes of hope, friendship, and overcoming fear. Beneath its flashy violence and retro scenery lies a story with heart and emotion, a testament to well-rounded storytelling by the directors.

Visually, Turbo Kid presents a world drained of life and color, closely aligning with post-apocalyptic themes. The set designs, props, and costumes all contribute to creating an unmistakably '80s feel. Certain visual elements also echo aesthetics from old-school video games, further immersing audiences into this distinct universe.

The movie’s score is a highlight too, thanks to electronic musician Le Matos. He provides synth-pop music that oozes nostalgia and perfectly complements each scene's tone and pacing, whether it's adrenaline-pumping chase sequences or heart-rending moments of character bonding.

In conclusion, Turbo Kid is an exciting pastiche of '80s science fiction and action-adventure, presented through unique storytelling and memorable characters. It's violent, heartwarming, and humorous, capturing the essence of classic pop culture in a currently saturated market.