Vaanaprastham

Vaanaprastham, a captivating Indian drama released in 1999, brings to us a brilliant blend of art, culture, history, and deeply rooted social norms. Led by the striking performances of renowned actors like Mohanlal, Suhasini, and supported by characters played by Mattanoor Shankara Marar, it promises an immersive cinematic experience that goes beyond the mere visual narrative.

Set in the captivating backdrop of Kerala during the late 1940s, Vaanaprastham embarks on a poignant exploration of identity, societal standards, prejudices, and the tragic incompatibility of art and life. The narrative is set in the cultural diaspora of Kathakali, a classical Indian dance-drama that originated in the Southern Indian state of Kerala. The film is highlighted by stunning performances of Macbeth and Poothana Moksham (a famous Kathakali play), giving us a glimpse into the traditional and vibrant art forms of India.

Mohanlal, a National Film Award-winning actor, delivers a tour de force performance as Kunjikuttan, a lower-caste Kathakali artist. Known for his soulful performances, he captivates the audience as he performs the legends of Mahabharata and Ramayana in a way that resonates with his personal life. The stark difference between his on-stage persona, where he portrays characters of noble and heroic stature, and his off-stage life, where he battles his lower caste identity and its subsequent prejudices, forms the crux of the narrative.

Suhasini, a well-known Indian actress and a prolific performer, plays the role of Subhadra, an upper-caste woman who falls in love, not with Kunjikuttan, but with his on-stage disguise, Arjuna, a heroic character from Mahabharata. This complex and unusual relationship is portrayed with intensity and sensitivity by Suhasini. Subhadra's inability to love Kunjikuttan off-stage heightens the pangs of discrimination and caste-based prejudices that were prevalent during the era.

Mattanoor Shankara Marar, a reputed Kathakali artist, brings authenticity to the film with his expertise and adds a deeper dimension to the storyline. His character provides a valuable perspective on the life of a Kathakali artist, exploring the harsh realities that often hide behind the beautiful facade of their art form.

Directed by Shaji N. Karun, who is known for his art-house aesthetics, the film is an eponymous reference to Vaanaprastham, a phase in Hindu life where one abandons worldly desires to move towards a path of spirituality. The film masterfully weaves the theme into its storyline, making it a metaphorical journey that reflects Kunjikuttan's life.

Cinematography in Vaanaprastham is worth a special mention. The movie showcases the picturesque landscapes of Kerala, the fascinating play of colors during Kathakali performances, and the stark contrast between the joyous performances and the tragically ironic life of Kunjikuttan. The switching between bright and vibrant stage performances to dimly lit rooms or vast landscapes under the shadow of the dusk or dawn makes the cinema an unforgettable visual experience. It also gives a profound impact on the understanding of Kunjikuttan's internal turmoil.

The music composed by Zakir Hussain is not just an add-on but an essential element that complements the narrative. The percussive rhythms, traditional string instruments, and the emotive singing integrate smoothly, enhancing the emotional depth of the film.

Vaanaprastham is not just a movie but a mirror to society, an exploration of human emotions, a celebration of art, and a poignant narration of a tragic hero. It seamlessly blends strong performances, engaging storytelling, enriching music, stunning visuals, and social commentary, making it a cinematic gem that leaves an indelible mark on its viewers. In essence, it's more than a film; it's a journey that echoes long after the final credits roll, making the viewer reflect on the deep-rooted complexities of life and art.