Via Darjeeling
Where to Watch Via Darjeeling
Via Darjeeling, released in 2008, is an Indian film directed by Arindam Nandy. The film is a beguiling blend of suspense, drama, and tension, featuring an exemplary performance by Kay Kay Menon, Sonali Kulkarni, Parvin Dabas among others. The script and storytelling techniques adopted in the film successfully build an aura of mystery and suspense, leaving the audience on the edge of their seats, awaiting what is to unfold next.
Set on a dark, rainy night, the story takes place at a boys' night out, a bachelors' party. Amid the revelry of the evening weather, the pouring rain, the whispers of wind, and the clattering cutlery, friends gather to celebrate the marital bliss of their pal, and end up discussing a mystery, a chilling story of Ankur (Kay Kay Menon) and Rimli (Sonali Kulkarni), a newlywed couple, who, during their honeymoon trip in the breathtaking hill station of Darjeeling go through some uncanny experiences.
Ankur, a devoted husband and Rimli, a lovely wife, were in the prime of their happiness when Ankur mysteriously disappears on the honeymoon. After several failed attempts to locate him render futile, suspicion falls on Rimli and the local guide Robin (Parvin Dabas). The narrative cleverly intertwines the alternate versions of the tale as speculated by each of the friends present at the party. Contradictory interpretations of the same tale echoing in the room alludes to the complexity that the human mind is capable of creating while conceiving a sequence of events.
Ankur’s fate and the circumstances of his disappearance are depicted in broad strokes, designed to provoke questions and initiate debates rather than offer clear-cut solutions. The suspense being built around the instance of Ankur's disappearance is drawn from different perspectives as conjectured by the friends. With each conjecture getting darker and more complex than the last one, Via Darjeeling winds the thread of a thrilling whodunit.
The real skill of director Nandy comes to the fore in the way he manages to maintain the enigma around the central character and shifting the narrative to the speculative, building up to an unique edge of a story rarely seen in Indian cinema. The film's unique narrative structure, revolving around different possibilities of a single event creation, affirm director’s Nandy's ingenuity and creativity.
Via Darjeeling is a skillfully crafted tale that doesn't cede its secrets easily. As the impermeable fog covers the sublime Darjeeling, so does the ambiguity surrounds the plot, keeping everyone guessing about the events that transpired that fateful day of honeymoon. The unfolding of an unusual narrative and an unresolved climax adds up to the noir style of the film.
The commendable performance of the lead actors make this film a captivating watch. Kay Kay Menon, with his exemplary acting skills, brings depth to the character of Ankur, a man torn between his love and his fate. Sonali Kulkarni showcases her acting prowess as Rimli, portraying multilayered emotions with remarkable ease, carrying the aura of suspense and mystery. Parvin Dabas shines as the local guide, layering his role with shades of suspicion and innocence. The supporting cast, as storytellers spinning different versions of the mystery, equally contribute in making the narrative progressively gripping.
Coupled with the eerie background score by Prabuddha Banerjee, Via Darjeeling encapsulates a tense atmosphere that can draw in the audience into its fascinating tapestry of nuanced storytelling. The film also beautifully captures the scenic beauty of Darjeeling, adding to the cinematic appeal of the narrative.
In summation, Via Darjeeling is an intriguing and suspenseful tale packed with outstanding performances, a novel narrative structure, and permeated with an air of mystery. This film is a rewarding watch for those who appreciate the unconventional and the mysterious in storytelling.
Via Darjeeling is a Drama movie released in 2008. Critics and viewers have rated it moderate reviews, with an IMDb score of 5.4..