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Virgin Machine

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NR
2013

Virgin Machine, a film that emerged at a critical point in the development of LGBT cinema in 1988, is an eloquent exploration of desire, identity, and self-discovery. Directed by Monika Treut, a prominent LGBT filmmaker who has consistently probed the dynamics of sexuality and gender, the film features Ina Blum, Marcelo Uriona, and Gad Klein in pivotal roles. The film elegantly balances the complexities of the human condition with the rawness of love.

Ina Blum plays the role of Dorothe Müller, an ambitious journalist working in Hamburg, Germany. Blum's performance is commendable as the earnest and curious Dorothe; her apparent naiveté adds to the depth of her quest. She begins the movie being somewhat dissatisfied with her somewhat predictable urban life and decides to engage on a transatlantic journey to San Francisco to explore the concept of romantic love. Inspired by the rising feminist movement, she wishes to better understand the American phenomenon of romantic love, beyond the idealized versions popularized by the media.

Marcelo Uriona's role as a street artist in San Francisco offers a raw but tender depiction of a man who is content with who he is and what he has. His character, not only acts as a guide for Dorothe Müller's journey through the unfamiliar landscape of San Francisco, but also shapes her understanding of freedom, identity, and love. The chemistry between Uriona and Blum is palpable, with their characters growing through each encounter.

Gad Klein, on the other hand, plays an avant-garde drag performer who goes by the stage name of "Dominique." Klein's performance adds a layer of flamboyance and exaggeration, treating the audience to a visual spectacle that is both poignant and entertaining. Klein's character Dominique brings a vivid splash of color and vivacity to Dorothe's growing world, and underlines the themes of exploration and liberation that sit at the heart of the film.

The film can be seen as split into two parts: the first half set in Germany, where we witness Dorothe's frustration with her life, and the second half, where we follow her journey in San Francisco. Treut's camera lenses capture both these settings with authenticity and richness, resulting in a layered visual feast. The contrast between the simplicity of Dorothe’s life in Germany and the vibrant scenes of San Francisco further emphasize her path from self-questioning to self-realization.

Virgin Machine delves into the complexities of romance, desire, and identity, reflected through both the narrative and visual elements of the film. While depicting the adventures of a young woman, there are also multilayered commentaries on feminist thought, queer culture, and the dichotomy between the personal and the political. Utilizing the contrast between confining and liberating spaces, and between various approaches to love and relationships, Treut presents a tapestry of experiences that contribute to the unfolding understanding of the protagonist.

The film becomes a dialogue - both internal and external - on the definitions of freedom, love, and identity; it is an exploration that is timeless and universal. Through the motley characters, dynamic scenes, and the underlying pulse of music and passion, Virgin Machine transcends its period setting to deliver a spark of recognition in every viewer. It gives us insights into the personal journeys required for embracing our identity - be it in terms of sexuality, career choice, or personal values.

In conclusion, Virgin Machine is both a journey back in time and a journey within. As Dorothe explores the expansive terrains of love and identity, viewers, too, navigate through their understandings of these notions. With a balance of drama, introspection, humor, and raw emotion, Virgin Machine is a cinematic expedition that seeks to awake, provoke, and resonate. The movie boldly embraces the unknown and encourages the viewers to do the same as it continues to be relevant even three decades after its release. Delicate yet daring, Virgin Machine is a theatrical masterpiece that successfully shatters stereotypes and ventures into uncharted territories of desire and self-discovery.

Virgin Machine is a Drama movie released in 2013. It has a runtime of 86 min. Critics and viewers have rated it moderate reviews, with an IMDb score of 5.6..

5.6/10
Director
Monika Treut
Stars
Ina Blum, Marcelo Uriona
Genres