We Are Monster

We Are Monster, released in 2014 is a compelling British drama, drawing from real-life events that aimed to delve into the darkest corners of humanity and the UK's penal system. Directed by Antony Petrou and filmed largely in and around London, the film leverages evocative imagery and purposeful cinematography to unveil the stark truths of juvenile incarcerations. The film's narrative revolves around real-life events that transpired in Feltham Young Offenders Institution in 2000. A script developed by Leeshon Alexander, who also features in the film, provides an intimate exploration of Racial tension, moral responsibility, and societal systems that ultimately lead to the tragic catastrophe that is the centerpiece of the story.

One of the striking features of We Are Monster is its superb casting that convincingly portrays the harrowing reality of the character's world. Aymen Hamdouchi, in the leading role, delivers a compelling performance as Zahid Mubarek, a young British Asian offender. In contrast, Leeshon Alexander characterizes the antagonistic character, Robert Stewart, with chilling intensity. Their captivating performances accentuate the racial tension and animosity between the inmates in the confined space of a shared cell, where most of the plot unfolds. Supporting roles are portrayed convincingly by Gethin Anthony, Justin Salinger, and Doug Allen, who sketch the larger realm of prison life to deliver a meaningful and impactful narrative.

The plot provides a keen view of the young offender's institution and the racial tension that occurs within. It primarily focuses on the interaction between Zahid, a first-time, non-violent offender, and his abrasive cellmate, Robert, a hardened teenager with obvious racist tendencies. The ordeal of Zahid focuses on the chain of events leading to the demise of his innocence and emphasizes societal negligence, highlighting the institutional failures that allow such tragedies to occur.

We Are Monster is not a film that coddles its audience with easy resolutions or comfortable conclusions. Instead, it demands its viewers invest emotionally and intellectually, challenging them to explore their perceptions about crime, punishment, rehabilitation, and society's role in shaping individuals. It lays bare an uncomfortable yet substantial truth about systemic racism and institutional failures that are still prevalent in many societies today.

The film has been visually crafted to reflect the grim prison interiors, the unsavory environment, and the hardness of prison life. Petrou's meticulous shots and the use of lighting help set the somber and suspenseful mood of the film, aiding the narrative to convey the desired impact on viewers. The minimalistic sound editing and the lack of a swelling soundtrack amplify the rawness of the dialogue, thereby intensifying the whole movie watching experience. Although devoid of any distracting gimmicks or special effects, the film packs a considerable emotional punch and successfully manages to hold the viewer's attention throughout.

In many ways, We Are Monster is a stormy journey that casts a hard light on the deep-seated societal issues. It is not for the faint-hearted, as it reveals an almost unbearable sense of realism. However, this dramatic intensity, combined with the powerful performances and intelligent cinematography, makes it an engaging watch.

Beyond just entertainment, the film also carries a profound real-world significance. The tragedy of Zahid Mubarek, which initiated an inquiry into the UK’s youth justice system and the handling of young offenders, had had a significant impact on prison reforms in the United Kingdom. The film can be seen as a mirror reflecting those stark incidents that led to the transformation.

In conclusion, We Are Monster is a thought-provoking film that offers an unflinchingly honest look at a dark chapter in the history of the UK's penal system. With its powerful performances, heart-breaking narrative, and compelling cinematography, it is a movie that leaves a lasting impression and provokes introspection on the societal system and its flaws.