We Think the World of You

The 1988 British drama movie We Think the World of You, directed by Colin Gregg and written by Hugh Stoddart, is an adaptation of a novel by J.R. Ackerley. With Alan Bates, Max Wall, and Liz Smith in its leading roles, the film presents an intriguing exploration of its characters and their complex relationships, within the backdrop of post-war London. It's a story of profound affection and yearning, blended with challenging social themes, including class, sexuality, and societal norms of the time.

Alan Bates stars as Frank, the film's protagonist, a sophisticated, middle-class gay man living in 1940s London. Frank is deeply infatuated with Johnny (Gary Oldman), a married, working-class man with a particular charm that Frank finds irresistible. When Johnny is sent to prison for petty theft, their intimate, yet complex relationship comes under intense strain, and we see how it affects the life of Frank, bringing a host of emotional and societal challenges for him to navigate.

In Johnny's absence, Frank's focus shifts to Evie, a beautiful German Shepherd dog that belongs to Johnny. Frank's yearning for Johnny and his loneliness is embodied in the way he lavishes affection and care on this dog. As he deals with societal restrictions on expressing his true feelings, the dog becomes a surrogate for his emotions. It's a poignant exploration of hidden love and longing, depicted through seemingly simple, everyday interactions.

In his mesmerizing performance, Alan Bates portrays Frank as a deeply sensitive, cultured intellectual constrained by his circumstances. His emotional complexity and struggles are captured perfectly. Notably, Bates infuses his character with authentic British manners and reserve, matched with an undercurrent of anguish and longing, which adds a rich layer to this character study.

In the role of Johnny's elderly father, Max Wall provides a thoughtful performance that manages to illuminate the harsh realities of survival in working-class London. Liz Smith plays Mrs. Wilson, Johnny's down-to-earth and pragmatic mother, with a touch of genuine warmth and humour. Gary Oldman, in an early role as Johnny, impresses with his portrayal of a character torn between his rough, working-class upbringing, his young family's needs, and his complicated relationship with Frank.

Colin Gregg effectively uses post-war London as more than just a backdrop. The sparse, sometimes dreary settings, combined with everyday sounds, mingles with the characters’ lives, impacting their emotions, choices, and relationships. The film's pace mirrors the rhythm of real life, allowing the characters to unfold gradually, and the audience to explore their depths.

The film also benefits greatly from its cinematography. From unflinching urban landscapes to touching close-ups, the film is visually compelling. The emphasis on natural lighting lends the scenes a raw authenticity, helping to draw the viewers into the world of its characters. The camera work excels in capturing canine performances as well, bringing out the story's unique aspect.

Despite the touching performances and careful exploration of themes, the movie doesn't evade the darker aspects of life. There are moments of deep sadness and despair that make for a moving, albeit sometimes bleak viewing experience. However, it is not without its lighter moments, most notably in the interactions between Frank and Evie.

We Think the World of You is a film that does not shy away from showing human frailty, and the lengths one might go to seek solace and emotional connection could be unconventional and unexpected. The movie offers a remarkably candid examination of veiled desires, emotional complexities, and societal constraints in post-war England. For its understated sensitivity and potent performances, it's a noteworthy film that deserves attention, making it a compelling viewing experience. Yet, this movie's primary draw is its exploration of human emotions—one that transcends time and place, making it relatable and touching, despite its specific historical context.