What's So Bad About Feeling Good?

What's So Bad About Feeling Good? is a captivating comedy movie that hit the screens back in 1968. This enchanting film, under the expert direction of George Seaton, stars renowned actors George Peppard and Mary Tyler Moore, alongside the talented Don Stroud. The unique storyline revolves around an unlikely hero, a toucan carrying the most extraordinary of viruses – one that ignites a contagion of happiness instead of disease.

The setting of the story is in New York City during an era of societal unrest, graced by hippies, and in need of a silver lining. The protagonist, portrayed by George Peppard, is a dejected artist named Pete, part of a commune residing in a condemned building in Manhattan. He is dispirited, unhappy, and unable to pursue his artistic aspirations, like many of his friends from the commune.

On the other hand, Mary Tyler Moore embodies the character of Liz, Pete's skeptical and pragmatist girlfriend. She is a public health worker with a stoic personality, representing the rational, realist side of the societal spectrum, contrasting with Pete's artistically disoriented, dispirited persona.

The plot takes a dramatic turn with the arrival of a South American toucan in New York City, smuggling an unknown virus into the metropolis. Rather than causing any dreadful disease, this mysterious virus starts infecting people with an immediate sense of euphoria, optimism, and congenial behavior. As luck would have it, the first person to fall under the influence of this happiness-inducing virus is none other than the disheartened artist, Pete.

Pete, who was once lost in his life, suddenly finds his spirits lifted and ambition returned, even his art is revitalized under this fantastic euphoria. This transformation creates a juxtaposition against the societal backdrop prevalent in the city, which is majorly driven by dissatisfaction and pessimism. Pete's newfound happiness starts affecting his life positively, and he becomes a source of optimism for those around him.

As word spreads about this "happiness epidemic," diverse responses start flowing in from different areas of society. Governments get worried about the potential impacts this virus may unleash, corporations fear the affectionate bond of consumers and producers may fade, even therapists are afraid that happiness could put them out of business. All this adds a layer of comic satire to this film, where a society so used to distress is perplexed by the sudden outbreak of universal happiness!

In this scenario of mass confusion, Liz, with her practical mindset and medical background, has her reservations about the whole happiness pandemic situation. Her skepticism forms the central conflict of the story, colliding head-on with Pete's unrelenting optimism in a series of hilariously gripping twists and turns.

Despite the comedic outlook, the film is not devoid of profound undertones. It emphasizes the importance of happiness and positivity in times of hopelessness and brings forth the concept of joy being a healer. The gripping screenplay of the movie is bound to keep you hooked, while the arresting performances by the lead actors bring life to this comedy.

What's So Bad About Feeling Good? cleverly employs its fanciful plot as a metaphorical canvas, thoughtfully painting on it themes of societal hypocrisies, fears, and resistance to change. The narrative challenges the viewer with intriguing questions - why would society resist a happiness virus? Are we conditioned to welcome misfortune more than joy?

On the technical front, the film's production design does a tremendous job in capturing the essence of New York City during the late 60s. The comedically balanced performances by the cast, coupled with the consistently smooth narration, adds to the movie's appeal. George Peppard and Mary Tyler Moore's exceptional compatibility and stellar performances are the heart and soul of the film.

In conclusion, What's So Bad About Feeling Good? is an entertaining comedy filled with laughter, thoughtfulness, and a touch of satire, designed to leave viewers questioning the societal norm of happiness. The film is not just a time-pass comedy flick; it is a well-presented socio-comedic narrative that skillfully addresses our perception towards happiness. It’s an absolute must-watch for anyone looking for a bundle of legitimate laughs paired with compelling thoughts.