When Women Lost Their Tails

When Women Lost Their Tails is a quirky and enchanting 1972 film from Italian cinema, produced as a sequel to the 1970 film When Women Had Tails. The film boasts a star-studded cast of vintage European cinema — Senta Berger, Lando Buzzanca, and Renzo Montagnani.

The film is set in an undetermined prehistoric period, infusing elements of comedy and fantasy in a singular blend. The narrative plays out in a Stone Age world notably different from the Flintstones version, cinematically painted through dreamlike visuals, idyllic landscapes, and an amusing portrayal of prehistoric lifestyle.

The movie centers on Filli (Senta Berger), a svelte and radiant cavewoman, who is chased by an ardent but dimwitted caveman, Grrr (Lando Buzzanca). Filli represents a modern, free-spirited woman, far advanced for the Stone Age setting. She is desired and pursued by all the males of her species, being the last female of their kind in the area.

Throughout the film, Grrr does his utmost to win Filli's affections but rarely meets with success. Yet, his determination never wavers in this often-hilarious pursuit, adding a comic hue to the narrative. Grrr, though far from cerebral, genuinely loves Filli, bringing a charming softness that balances the humorous undertones.

On the other hand, the vivacious Filli seems unimpressed with the notion of settling down and persistently dodges the amorous pursuits from all corners. Senta Berger delivers a brilliantly nuanced performance, proving once again why she was widely regarded as one of the leading actresses of her era.

Great support comes from Renzo Montagnani, who plays Ulli. Montagnani, known for his comic roles, doesn't disappoint this time either, adding another layer to the film's multifaceted narrative. Another memorable character is Filli's protective brother, Kao (Frank Wolff), who constantly rescues her from the clutches of her cave-brained suitors.

The film takes a unique and whimsical approach to conventional gender roles and courtship rituals, persistently subverting viewers' expectations. The narrative cleverly subverts gender stereotypes, portraying Filli as a strong, independent woman atypical for her time. Simultaneously, the cavemen display an odd mix of masculinity and vulnerability, often found wailing over their unrequited love or ecstatically celebrating fleeting moments of attention from Filli.

When Women Lost Their Tails also sports a cheeky and playful tone in its comedic dealings with sexuality. The movie's portrayal of the chase and attempts of seduction between Filli and her male pursuers vary from slapstick comedy to subtle humor.

Director Paolo Cavara treats viewers with picturesque cinematography, beautifully capturing the rustic landscapes and natural beauty. In between the humor, wild chases, and whimsicality, Cavara manages to instill a sense of poetry into his frames, providing an aesthetic pleasure common to European cinema.

The music by famous composer Ennio Morricone further enhances the prehistoric fantasy feel of the film. His iconic style transcends the Stone Age theme, contributing an additional layer to the film's comic absurdity.

In conclusion, When Women Lost Their Tails explores the paradox of evolution through a gender perspective. The film presents both a fascinating portrait of early human behaviour and a criticism of gender dynamics that resonate well into the 21st Century.

It's a light-hearted romp set in a fanciful interpretation of prehistoric life, combining humor and social commentary. While the comedy may be broad, it's undeniably charming and provides a refreshing escape from modern life. Whether seen as a spoof of gender roles or a comedic take on ancient social hierarchies, the movie offers plenty of entertainment in its bizarre world of prehistoric love and laughter.