Where the Buffalo Roam

Where the Buffalo Roam is a 1980 semi-biographical comedy film that centers around the eccentric and unpredictable life of American journalist and author Hunter S. Thompson, famed for his work in Rolling Stone Magazine and his creation of gonzo journalism—a style of journalism where reporters involve themselves in the action to such a degree that they become central figures in their stories. With Bill Murray embodying Thompson's flamboyant and erratic persona and Peter Boyle portraying lawyer and activist Carl Lazlo Esq. (a representation of Thompson's real-life lawyer and friend Oscar Zeta Acosta), the movie is a fun, wavy journey that highlights Thompson's pivotal years as a writer during the rebellious late 1960s and early 1970s.

Where the Buffalo Roam begins in Thompson's home—a uniquely decorated cabin in the Colorado Rockies—as he attempts to write a homage about his friend Carl Lazlo, who has mysteriously disappeared. The film then progresses into a series of flashbacks that dig into the peculiar relationship between Thompson and Lazlo. It chronicles their various exploits across the United States, interspersed with scenes of the present where Thompson struggles to pen his tribute.

Bill Murray slips into the skin of Thompson with dedication, embodying not just his signature shaved, bald look but also his mannerisms, delivering a unique comedic performance that captures Thompson's eccentricities and wild energy. Paired with Peter Boyle's stellar portrayal of the equally unpredictable Lazlo, their on-screen chemistry offers viewers a window into the chaotic world of these real-life characters.

The film, directed by Art Linson and written by John Kaye, creatively harnesses these performances and shapes the narrative by interweaving aspects of Thompson and Lazlo's lives. It includes experiences such as Thompson covering the Super Bowl in Los Angeles, their involvement in political activism during the San Francisco drug culture, and Lazlo's aggressive efforts in defending young people caught in the throes of California's strict drug laws.

Another integral part of the film is Bruno Kirby, who portrayed Marty Lewis, a fictional editor and friend of Thompson. Although a minor character, Kirby's portrayal of the calm yet awkwardly amusing Marty Lewis offers a stark contrast to Thompson's spontaneity and Lazlo's rebelliousness, providing a nice change of pace in the movie.

This film is an unconventional comic romp through important historic and cultural moments, reflected through Thompson's offbeat perspective. It paints a vivid picture of the turbulent era of sixties and seventies America—its tumultuous politics, the influence of drugs and psychedelic culture, and the rebellious spirit of its youth, all the while delving into the unique bond between Thompson and Lazlo.

One might argue that the film plays loose and fast with the facts, focusing more on the 'spirit' of Thompson and Lazlo's adventures rather than the actual historical accuracies. That said, it serves as an effective portrayal of Thompson as an icon of counterculture, while simultaneously exploring the deeper, more personal aspects of his life and relationships.

Music plays an essential part in setting the tone and atmosphere of the film. The soundtrack, a mix of rock 'n roll from the sixties and seventies, folk music, and other popular selections of the era, provides a perfect background to the relaxed yet chaotic energy of the film. It underscores not just the era but also Thompson's free-spirited and rebellious personality.

Where the Buffalo Roam might not strictly adhere to traditional biographical storytelling techniques, but it is a ride into the erratic, unconventional world of Hunter S. Thompson. This film is ideal for those who enjoy comedic biographical narratives, are fans of Hunter S. Thompson and his iconic contribution to journalism, or simply enjoy Bill Murray's comedic genius. So, fasten your seatbelts and prepare yourself for a madcap journey into the heart of gonzo journalism.