White of the Eye

White of the Eye is an unconventional horror thriller that eloquently captures 1980s sensibilities, while still boasting a unique narrative twist that sets it apart from other movies of its generation. Released in 1987, the film showcases the acting prowess of David Keith, Cathy Moriarty, and Alan Rosenberg under the deft directorial hand of Donald Cammell.

Set within the quiet desert landscape of Arizona, the film unfolds in a small town that is suddenly jolted out of its peaceful slumber by a grisly series of grotesque murders. The community, unaccustomed to such shocking violence, is thrust into a chaotic flux, which is only exacerbated by the horrifyingly meticulous ritualistic detailing of the crime scenes. The killer not only slays his victims but also festoons their homes with an unusually grotesque flair. This unsettling backdrop sets the stage for the main narrative, kept taut with suspense and tension.

David Keith masterfully essays the role of Paul White, a dedicated husband and soundman who specializes in high-end custom installations. His job not only keeps him constantly on the move between homes of the town's wealthy residents but also earns him a high reputation for his ear for quality sound. Keith's performance methodically builds upon his character's seemingly normal facade, deftly unraveling the man behind the mannerisms.

Cathy Moriarty delivers a remarkable performance as Joan White, Paul's loving wife and a strong woman who grapples with the grim possibility of her husband's involvement in the murders. Their seemingly idyllic family life, complete with their young daughter, provides an effective dramatic contrast to the horrific events unfolding within the town.

The narrative gains momentum as Detective Mendoza, portrayed convincingly by Alan Rosenberg, steps into the turmoil-stricken town. Drawn to the bizarre nature of the murders, he embarks on a relentless pursuit of the truth. Despite the peaceful demeanor of the White family, Mendoza cannot shake off the nagging suspicion that seems to point towards Paul.

White of the Eye is a stylistic achievement, both visually and narratively. The cinematography by Larry McConkey and the psychological stigmatizations displayed throughout the film contribute to an uncanny sense of dread that hovers over the entire plot. Furthermore, the wide desert landscapes promising limitless freedom stand in stark contrast to the claustrophobic nature of the crimes, intensifying the dichotomy between the town's serene exterior and the violent turmoil within.

Director Donald Cammell, having co-directed 'Performance' – another psychological thriller – with Nicholas Roeg, brings a similarly unsettling atmosphere to this chilling tale. His decision to incorporate flashbacks not only augments the story's suspense factor but also sheds light on the untold histories of the lead characters. The nonlinear storytelling adds depth to character development and enhances the narrative's complexity.

The lead performers deliver unforgettable and nuanced performances in their respective roles, holding audience attention captive with their compelling portrayals. Particularly, the relationship between Paul and Joan becomes a focal point that is both touching and complex, offering reprieve from the prevalent horror tones.

The movie takes special care in its sound design and scoring, recognizing the importance of sound in a movie centered around a soundman. The score, composed by Nick Mason and Rick Fenn, complements the plot and contributes significantly to the overall mood, adding a layer of relentless anxiety that aligns with the narrative's suspenseful ambiance.

Overall, White of the Eye is not your typical horror movie. It is an exploration of the human psyche and the hidden darkness that sometimes resides within seemingly normal individuals. It's a riveting tale that refuses to be contained within genre conventions, delivering a cinematic experience that is suspenseful, engaging, and hauntingly impactful.