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Wild Stallion

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NR
1952

Wild Stallion is a western film released in 1952, directed by Lewis D. Collins, which blends elements of action, drama, and the picturesque landscape typical of the American West's cinematic representation. Starring Ben Johnson, Edgar Buchanan, and Martha Hyer, the film weaves the tale of the emotional connection between humans and horses set against the backdrop of frontier life and the expansive territories that beckoned settlers and adventurers alike.

Ben Johnson plays the role of Dan Light, a man with a deep and personal attachment to horses, particularly wild stallions, which symbolize the unbridled spirit of the frontier. His passion for these majestic creatures is rooted in a childhood experience that left an indelible mark on him—forming the main narrative thread that the film follows. This attachment is more than just a fondness for horses; it represents a quest, a burning desire that fuels Dan's endeavors throughout the story.

Edgar Buchanan portrays the character of 'Thunder' Morgan, a figure that offers a dose of wisdom and mentorship, contributing to the classic western trope of the older, experienced guide who helps the protagonist navigate the challenges of the untamed wilderness. His performance adds an element of groundedness to the otherwise wild and unpredictable world that the characters inhabit.

Martha Hyer’s character Anne Stirling provides a layer of both romantic interest and strong feminine resilience, set in a period when the West was known for its rugged masculinity. Anne's persona factors into the narrative in a way that challenges Dan's pursuits, as well as adding a more personal human conflict to the broader context of man versus wild, one of the overarching themes presented in the movie.

The plot of Wild Stallion unfolds amidst the grand scenery of the West, as Dan Light dedicates himself to capturing a magnificent wild stallion that he has been obsessed with since childhood. His mission is rife with hazards and hardships. The terrain is as much a character in the film as the humans and animals that inhabit it, reflecting the struggle for survival and dominance where only the strong prevail. Dan’s pursuit brings him into conflict with those who see the wild horses not as majestic beasts to be revered, but as economic assets to be exploited or threats to be eliminated.

The wildness of the landscape is mirrored by the untamed nature of the horses themselves, with Dan's respect for their freedom and natural beauty clashing with the utilitarian view held by many of the other characters in the film. The stallion he seeks is not merely an animal but the embodiment of an untouchable ideal; a symbol of the wild spirit that many sought to tame or destroy as the West was progressively settled and developed.

Throughout the film, Dan's fixation with the stallion leads him on a journey that is both physical and emotional. The audience is invited to explore themes of loss, redemption, and the pursuit of one's own white whale—a nod to the literary classic Moby Dick in the form of a Western equine. The narrative examines man's place in nature and the often conflicting desires to both live in harmony with the environment and to bend it to his will for progress and prosperity.

Viewers can expect traditional western action sequences, horse chases, and breathtaking cinematography that captures the beauty and savagery of the American West. The ethical dilemmas faced by the characters offer an introspective look at human values and the choices that define a person's character. As Dan Light's story unfolds, the looming question becomes whether his obsession with the stallion is a pathway to restoring something lost within himself or whether it will lead him down a path of ruin.

On a broader scale, Wild Stallion also considers the impact of human expansion on wildlife, as the encroachment of civilization threatens the natural order of life in the wilderness. This topic, while set in the past, echoes contemporary concerns about environmental conservation and the human footprint on natural habitats.

With riveting performances from its main cast, Wild Stallion goes beyond the surface thrills of the western genre to engage viewers with deeper narratives about passion, perseverance, and the essence of the American spirit. Laden with symbolism and dramatic tension, it is a film that, much like the untamed horse at its core, captures the imagination and runs wild with it.

Wild Stallion is a Western movie released in 1952. It has a runtime of 70 Critics and viewers have rated it moderate reviews, with an IMDb score of 5.8..

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5.8/10
Director
Lewis D. Collins
Stars
Martha Hyer, Hugh Beaumont
Genres
Also starring Edgar Buchanan