You Can't Beat Love

You Can't Beat Love is a delightful comedic film from the late 1930s, notably featuring the talents of Preston Foster, Joan Fontaine, and Herbert Mundin. This 1937 release cultivates a lighthearted ambiance while still proffering an intriguing storyline to keep viewers on their toes. A sprinkling of romance, a dash of politics, and a healthy dose of humour combine to create a cinematic experience that is as timeless as it is entertaining.

The film centres on the character of Jimmy Hughes, a charismatic young man portrayed with aplomb by the versatile Preston Foster. Jimmy is a somewhat blithe and free-spirited individual who makes a living doing what he loves best: manufacturing and selling tire retreading machines. His carefree existence takes a sudden turn when on an apparent whim, he decides to run for mayor of his fair city. It's a decision that is seemingly made on a lark over a game of billiards, letting audiences in on the spontaneous and playful nature of Jimmy's character. The fact that he doesn't have a political bone in his body only serves to add to the hilarity of the situation.

The prestigious Foster's offbeat and effervescent portrayal of Jimmy is contrasted beautifully with Joan Fontaine's depiction of the character known as Trudy Olson. Fontaine, who was at the beginning of her illustrious Hollywood career at this time, imparts an air of warmth and sincerity to her character. Trudy is the daughter of the incumbent mayor and, given her upbringing, is far more politically savvy than Jimmy. The two characters naturally cross paths on multiple occasions, interweaving the realms of politics and romance in an engaging subplot.

Serving as the bridge between these two distinct spheres of life in the film is the character of Skeeter, Jimmy's trusted friend and sidekick. Skeeter, portrayed by the skilled Herbert Mundin, accompanies Jimmy on his manic run for mayor. Skeeter's character adds another layer of humour to the film, with Mundin's stammering drawl and comical facial expressions being a constant source of amusement.

The movie paints a rather unorthodox yet utterly captivating picture of politics. The world of municipal elections is presented not as a sombre and stern domain but as a colourful and thrilling roller-coaster ride filled with unexpected twists and turns. The film is as much about the unique and often hilarious challenges Jimmy faces in his unexpected political journey as it is about his burgeoning romantic relationship with Trudy. The way these two narrative threads intermingle and connect comes across as both organic and memorable.

Adding depth to the narrative are several subplots that are beautifully woven into the main storyline. The film does not shy away from portraying politics with a dab of real-world muddle and machinations, presenting a believable backdrop to Jimmy's peculiar run for the mayor's office. The juxtaposition of Jimmy's unconventional approach to running his campaign with Trudy’s well-versed political acumen generates a series of misunderstandings, disputed interests, and, eventually, mutual admiration and affection.

Directed by Christy Cabanne, You Can't Beat Love possesses a sense of cinematic authenticity. The elegant black-and-white cinematography and stunning art design capture the essence of the late 1930s, creating an alluring visual appeal. The dialogue is sharp and witty, replete with sparkling humour that never fails to amuse. The direction also expertly maintains a fast-paced narrative that doesn't compromise the development of its characters or the complexity of its plot.

You Can't Beat Love is an example of classic Hollywood fare: a light-hearted comedy that doubles as a captivating political saga and sweet love story. With its fine cast, humorous script, and commendable direction, it is a charming and enjoyable film filled with wit, romance, and a hint of intrigue, demonstrating the magic of the cinema of the 1930s. The performances, particularly from Foster, Fontaine, and Mundin, are stellar, bringing their respective characters to life and lending them tangible depth and charm. It's a testament to their talents that these performances have stood the test of time.

All in all, You Can't Beat Love offers an endearing look at life, politics, and love in the 1930s and continues to enthral audiences with its charm and magnetism more than eight decades after its initial release.