Zorro, The Gay Blade

Zorro, The Gay Blade is a 1981 swashbuckling comedy-adventure film that wonderfully parodies the Zorro legend - the beloved character that has persisted in the world of fiction since 1919. Directed by Peter Medak, this film amplifies the spirit of Zorro with a hefty dose of humour, smoothly blending action and comedy, presenting a Zorro like we've never seen before. This charming spoof of the popular masked outlaw offers a brilliantly inventive and hilarious interpretation of the classic character, with timeless comedy that maintains its charm four decades later.

The tongue-in-cheek film showcases a dual performance by the suave George Hamilton, widely known for his comic prowess and impeccable comedic timing. He plays both protagonists: Don Diego de la Vega, the staunchly macho, charm-filled, debonair alter ego of Zorro and his flamboyantly gay twin brother, Bunny Wigglesworth, amusingly dubbed as Zorro, The Gay Blade.

The story begins with Don Diego returning to his father's California estate after a long sojourn in Spain. He discovers his father's death was not accidental and decides to assume his father’s mask as Zorro to avenge his death and fight against the oppressors of the people of California, commanded by the devious Governor Esteban (played by Ron Leibman). However, when Don Diego injures his foot, he is forced to ask his cunning brother, Bunny, to take the Zorro's mantle. Bunny revamps the swashbuckling hero’s image with his unique flair, adding colour and verve to the classic monochrome image of Zorro while leading a comedic and charming rebellion against the tyrannical regime of the governor.

The dashing George Hamilton superlatively carries the film on his shoulders with aplomb, switching seamlessly between the dual Zorro personalities. The shifts are well-defined, and his fabulous, flamboyant portrayal of Bunny Wigglesworth is a brilliant contrast to the serious, old-school heroism of Don Diego.

The roll call of the film also includes Lauren Hutton, who delivers an excellent performance as Florinda, the governor's cultured and gorgeous political advisor, torn between her duty and the thrill of Zorro's rebellion. The formidable Brenda Vaccaro stands out as the lascivious and merciless Governor's wife, always plotting to capture the elusive Zorro.

While it does involve some swordplay, it is obvious that the film pays more attention to orchestrating an enthralling comedy than a swashbuckling action movie. Its charm comes from its subtle way of poking fun at the masculinity, and the eccentric and humorous depiction of the heroic Zorro figure. With a deadpan wit that slyly sends up a variety of stereotypical characters, the film also manages to lightly satirize societal norms of the time without losing sight of its entertainment value.

Directed by Peter Medak, notable for his eclectic works in various film genres, his unique touch elevates the film beyond a standard parody. He successfully delivers a grand adventure filled with romance, comedy, action and suspense, all bundled into a package of delightful entertainment.

Humour is an intrinsic element of Zorro, The Gay Blade, achieved through clever wordplay, delightful slapstick sequences, and the absurdity of certain situations. It offers a good-natured, lighthearted and uproarious take on the legend of Zorro, with a dash of gay rights advocacy. There is clever comedy in the way the film reinterprets the Zorro legend, continually poking fun at the noble image of Zorro with an outrageous sense of humour, handling the topic of homosexuality with a light touch that avoids direct political statements.

The film's stylistic touch comes from vibrant and lively set pieces which reflect the buoyant mood of the film. Glittery and flamboyant costumes are one of the significant highlights, and they aptly mirror the shift in the personality of Zorro when Bunny takes over the mantle.

Zorro, The Gay Blade represents a genuinely enjoyable viewing on an evening when you need to lighten up. It is a unique and humour-laden take on the legend of Zorro, prompting more laughter than suspense but ensures both laughter and action are plentiful. In essence, it's a rollicking journey of colour, wit, glamour, and charm. It is a lighthearted, funny, satirical film that has aged well and remains as entertaining as it was when released in 1981.