In The Flesh

In The Flesh is a gripping British television series that aired exclusively on BBC THREE from 2013 to 2014. This inventive series, created by Dominic Mitchell, presents a haunting narrative twist on the traditional zombie genre, delivering a story that deftly straddles the realms of drama, horror, and science fiction. The show features an impressive ensemble cast, with notable performances by Luke Newberry, Emily Bevan, Harriet Cains, Stephen Thompson, and Wunmi Mosaku, among others.

The complex narrative centres on Kieren Walker, portrayed by Luke Newberry, who is a 'Partially Deceased Syndrome' (PDS) sufferer. The term is the series' tenet for people who, following an inexplicable resurrection event, come back to life after previously dying. However, rather than mindless, ravenous creatures, these PDS sufferers are closer to the people they once were, complete with intact memories and emotions. The significant twist on the zombie concept is the main draw of the series, allowing it to explore themes of prejudice, community, reconciliation, and personal identity in unexpected, inventive, and stirring ways.

Set in the fictional Northern English village of Roarton, the show grapples with the social and personal conflicts that emerge when these PDS sufferers begin returning to their former lives and communities. The villagers’ reaction towards the reanimated beings varies, from welcome and relief to fear and outright hostility, making for a fascinating exploration of society's treatment of the ‘other’.

The character of Kieren brings a palpable sense of humanity to the narrative. His struggle to reintegrate into society and reconcile with his own past bring heartfelt tension and emotional depth to the show. Kieren's experiences reflect broader societal turbulence and build up a cast of layered and compelling characters who are intertwined with his life. Emily Bevan delivers a memorable performance as Amy Dyer, a PDS sufferer who becomes Kieren's friend, while Harriet Cains stands out with her portrayal of Jem Walker, Kieren's sister who struggles with her loyalties.

Meanwhile, fraught relationships between the living and the 'undead' are further underscored by the presence of the Undead Liberation Army. The series' ingenious blend of multiple genres together with socio-political undertones creates intense, thought-provoking viewing that encourages audience reflection about perceived societal norms and biases.

The general mise-en-scène of the series, brought vividly alive by the creative team, aids in its storytelling efforts. The gloomy and rugged Northern landscapes provide a fittingly eerie and desolate backdrop against which this alternative reality unfolds. Despite its grim premise, however, the series offers numerous instances of dark humour supplemented by strong performances. Luke Newberry, in particular, is lauded for his ability to portray anguish, confusion, moments of joy, and more with apparent ease.

The two-season series has received critical acclaim for its innovative approach towards the zombie genre, as well as its laudable script and skilled performances. While the first season establishes the narrative premise and introduces the key characters, the second season delves further into the socio-political conflicts and personal dilemmas catalysed by the presence of the PDS sufferers in Roarton.

In The Flesh distinguishes itself from a host of other series dealing with the supernatural by bringing a poignant human aspect to its undead characters. While it may harbour supernatural elements, the series finds its true strength in its exploration of distinctly human themes: fear of the unknown, the struggle for acceptance, and the desire for redemption. The characters are more than typical horror incarnals–they are people, with all the complexities, emotions, and aspirations that such existence entails. The series was cancelled after its second season, leaving fans and critics alike pining for more and igniting fervent online campaigns for its revival.

To sum up, In The Flesh is a top-notch drama that stands as a testament to the potential of genre television to not only entertain but to challenge and reflect upon societal norms. Offering an ingenious twist on conventional zombie tropes, it presents a narrative rich with empathy, conflict, and emotional complexity, anchored by compelling performances from its ensemble cast. This unique and thought-provoking series from BBC THREE left a strong impression on its audience, confirming its status as a cherished cult classic within the pantheon of outstanding British television.