Watch Shirobako Online

Shirobako

Where to Watch Shirobako

26
OVA 2 - The Third Girls Aerial Squad - File: 01 [Falling Angel]
2015-03-23
R

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25
OVA 1 - Exodus! Episode 1: Exit Tokyo
2015-03-23
Akane, Aya und Arupin haben einen Auftritt im Supermarkt. Allerdings h

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24
Die Auslieferung, die zu weit weg war
2015-03-23
With three weeks left until broadcast, the entire studio buckles down on the final episode. Ema is assigned the scene featuring Shizuka's character.

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23
Umsturz zur Zweiten
2015-03-17
Faced with the prospect of discarding all their work on the last episode, the Musashino staff desperately try to get a meeting with the author.

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22
Noah tr
2015-03-10
Aoi, Tsubaki and Sara take on the task of producing the final episode, and Yumi asks Ema to be an assistant general animation supervisor for it.

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21
E 21
2015-03-05
Misa's 3DCG company ends up working on a certain cut for "Third Aerial Girls Squad." Ema also ends up working on that same cut, so they end up working togther.

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20
E 20
2015-02-26
Musani is troubled with the scenario for the last episode of "Third Aerial Girls Squad." During the meeting, they talk about what they're going to do with the story, and somehow also get into the topic of why they are all making anime.

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19
E 19
2015-02-19
Aoi starts feeling panicked about all of the problems, and that's when Yano comes back to work. Yano first goes to Studio Titanic and takes over things there.

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18
E 18
2015-02-12
The after recording for "Third Aerial Girls Squad" has started. However, Suzuki, who plays the protagonist, is so nervous that she can't act naturally, and has to stay later.

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17
E 17
2015-02-05
The news of "Third Aerial Girls Squad" becoming an anime is spreading more and more. Meanwhile, a new dilemma hits Musani: They must make a promotional video.

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16
Drunter und dr
2015-01-29
The author demands revisions to the character designs, throwing the production timeline into chaos and giving Aoi and Yumi real trouble.

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15
E 15
2015-01-22
After finishing the party to welcome the new employees, Musashino Animation dives into production for "Third Aerial Girls Squad." Aoi does her best as the new production desk, while the new employees, Satou and Andou also do their best at their new jobs.

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14
E 14
2015-01-15
A meeting about "Third Aerial Girls Squad" was happening at Musashino Animation that day. Various people were trying to push their own talent based on everything other than talent.

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13
E 13
2015-01-08
Musashino animation gets put in charge of the popular series, "Third Aerial Girls Squad." This opportunity for Musani is actually an opportunity for Aoi, as well.

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12
E 12
2014-12-25
In a hurry, Aoi arrives at Kanno's house. However, she gets there without knowing very much about Kanno and realizes that it was rather rude for her to ask him to do some key frames for her.

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11
E 11
2014-12-18
With the time limit drawing nearer, Aoi tries to distribute the remaining key frames of the last episode to animators. However, she is having a hard time finding someone to take the more difficult cuts.

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10
E 10
2014-12-11
Aoi goes to deliver a tribal instrument to the sound studio. When she arrives, she is pulled aside and is forced to wear high heels.

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9
E 9
2014-12-04
Director Kinoshita's storyboards seem to never finish, and Musashino Animation is in a panic. Aoi thinks about how many days they have until the delivery of goods and gets frazzled.

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8
E 8
2014-11-27
Because of Ochiai leaving, Aoi starts to think about her future as well. She goes to Segawa-san's house and asks what she thinks about Ema's drawings now, after the harsh criticism she had prior.

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7
E 7
2014-11-20
Aoi heads to work flustered, as she finds out that her older sister is coming to visit. When she gets to the office, she finds out one of her seniors is leaving the company, and Aoi is shocked.

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6
E 6
2014-11-13
The situation with Endou actually ends up affecting one of the episodes_4-18 that Aoi is in charge of. Without any other choice, she finally goes to Honda.

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5
E 5
2014-11-06
The incident happened at Musashino Animation. Tarou tells Aoi about why Endou is so mad. The reason was an explosion scene that was supposed to be hand drawn was now going to be done in 3D. Tarou was supposed to tell Endou about the change, but the way he tells him ends up setting off a whole new problem.

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4
E 4
2014-10-30
A girl is suggestively moaning on the train. Shizuka is a newbie voice actor who was practicing her lines on the train on the way to her first audition.

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3
E 3
2014-10-23
On top of being in charge of episode 4, Aoi is now also tasked with episode 9. Despite being a newbie and full of doubt, she manages to complete every task asked of her.

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2
E 2
2014-10-16
Aoi is panicking a little at the fact that episode four is a little behind. She manages to enlist the help of Endou, the animation supervisor for episode three, and is able to stabilize things a bit.

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1
Exodus to Tomorrow!
2014-10-09
While in high school Aoi and her four friends promised to one day make an animated feature together! It's been two years since then and Aoi is now an assistant producer facing the struggles of working within the anime industry.

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Shirobako is a captivating anime television series that offers a refreshing and unique perspective by shedding light on the often-overlooked process of anime production, and what happens behind the scenes. The series, which began airing on Tokyo MX in 2014, is a workplace drama that delves into the nitty-gritty of the Japanese animation industry, covering every major role involved, from voice actors and directors to animators and production assistants. Essentially, it creates an enriching viewing experience revolving around the formula of "anime about making anime."

In terms of its narrative format, Shirobako appropriately operates on two primary planes. The first one being the real world where the nuanced, often hectic process of anime creation takes place and the second one being the constantly evolving world of the anime that is being crafted by the characters within the show.

The story revolves around five young girls, namely Aoi Miyamori, Ema Yasuhara, Shizuka Sakaki, Misa Todo, and Midori Imai. These aspiring creatives, after working together on a high school animation project, aspire to break into the anime industry. After graduation, they set off on their individual paths with a collective dream to one day work together again on a professional animation production.

The central protagonist, Aoi Miyamori, lands a job as a production assistant at a renowned animation studio called Musashino Animation. Character development in Shirobako is strongly driven by Aoi’s personal and professional growth as she confronts the countless adversities that come with her demanding role. Her work involves managing chaotic schedules, wading through production bottlenecks, and ensuring effective communication amid the creative team. The intricate details highlighted in Aoi's incredibly hectic yet rewarding job exemplify the series' realistic portrayal of the anime industry’s challenging side.

Meanwhile, the other characters branch out into various facets of the anime industry. Ema Yasuhara is an animator learning to navigate her way around tight deadlines and individual artistic style. Misa Todo is a 3D animator grappling with her desire for a more creatively fulfilling role. Shizuka Sakaki is an aspiring voice actress aiming to land her first big role amid fierce competition, and Midori Imai, the youngest of the group, is a passionate research student with an eye on scriptwriting.

One of Shirobako's most gripping elements is its portrayal of distinct, gripping personal narratives that encapsulate individual struggles and victories in the animation industry. It's a vivid confluence of five determined individuals striving to fulfill their passion while navigating reality's concrete constraints.

Simultaneously, the series doesn't shy away from peeling back the curtain on the harsh realities of the anime industry. Whether it's the portrayal of grueling hours, unforeseen production delays, or creators clashing over artistic direction, Shirobako offers an unalloyed depiction of what happens behind the shimmer of the final broadcast.

The series employs a vibrant and detailed animation style, reflecting modern Tokyo's urban cityscape and architecture as well as the microcosm of animation studios with their cluttered desks and busy production floors. These visuals, paired with a lively and often emotive soundtrack, create an atmosphere that effectively mirrors the fast-paced, high-stakes environment of the anime industry.

The storytelling style of Shirobako is compelling and rich, helping to further amplify its different themes. While majorly a drama, the show capably blends in comedy and slice-of-life elements that lighten the atmosphere and make the characters more relatable. Furthermore, the series masterfully manages to juggle multiple storylines while keeping the viewers invested in all of them.

As a whole, Shirobako is not just an anime series. It's an immersive journey into the creative heart of Japan's most acclaimed cultural exports. It's a tribute to the unsung heroes behind the scenes, the creators, animators, and voice artists pouring their soul into the art we consume and celebrate. For anyone intrigued by the anime industry or just on a quest for a high-quality slice-of-life anime, Shirobako stands out as an insightful, inspiring, and widely praised choice. Regardless of whether or not viewers can relate directly to the animation industry's professional landscapes, the dreams, struggles, successes, and failures the characters experience resonate on a universal level, making Shirobako a gem worth watching.

Shirobako is a series categorized as a new series. Spanning 1 seasons with a total of 26 episodes, the show debuted on 2014. The series has earned a mostly positive reviews from both critics and viewers. The IMDb score stands at 8.0.

How to Watch Shirobako

How can I watch Shirobako online? Shirobako is available on Tokyo MX with seasons and full episodes. You can also watch Shirobako on demand at Apple TV online.

Genres
Anime
Channel
Tokyo MX
Rating
8.0/10
Cast
Juri Kimura, Hiroyuki Yoshino, Nobuyuki Hiyama